{"id":161557,"date":"2022-10-24T14:17:34","date_gmt":"2022-10-24T11:17:34","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=161557"},"modified":"2022-10-24T14:25:28","modified_gmt":"2022-10-24T11:25:28","slug":"iklim-krizi-icin-sanat-uzerinden-eylemler-artiyor","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/iklim-krizi-icin-sanat-uzerinden-eylemler-artiyor\/","title":{"rendered":"(Turkish) \u0130klim Krizi \u0130\u00e7in Sanat \u00dczerinden Eylemler Art\u0131yor"},"content":{"rendered":"

Sorry, this entry is only available in Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

<\/p>\n

\u0130klim aktivistlerinin sanat eserlerine y\u00f6nelik sald\u0131r\u0131lar\u0131 devam ediyor. Daha \u00f6nce Fransa\u2019da Mona Lisa eserine pastal\u0131, \u0130ngiltere\u2019de Van Gogh\u2019un eserine domates \u00e7orbal\u0131 sald\u0131r\u0131 derken son olarak Almanya’da iklim aktivistleri, Claude Monet’in Barberini M\u00fczesi’nde sergilenen tablosuna patates p\u00fcresi f\u0131rlatt\u0131. Peki, aktivistlerin amac\u0131 ne?<\/h2>\n

Eserler zarar g\u00f6rd\u00fc<\/strong><\/h3>\n

Art arda bir\u00e7ok eylemin ya\u015fand\u0131\u011f\u0131n\u0131 belirten Hanersman\u00a0Dan\u0131\u015fmanl\u0131k Kurucusu Akademisyen-Yazar\u00a0<\/em> \"\"Ecehan Ers\u00f6z<\/strong> \u201cMay\u0131s ay\u0131nda Paris’teki Louvre M\u00fczesi’nde sergilenen Leonardo da Vinci’nin Mona Lisa eserine pastal\u0131 sald\u0131r\u0131 ger\u00e7ekle\u015fmi\u015fti. Eylemler Londra a\u011f\u0131rl\u0131kl\u0131 olmak \u00fczere s\u00fcr\u00fcyor. Londra\u2019daki Courtauld Gallery\u2019deki Van Gogh\u2019un 1889 tarihli \u00c7i\u00e7ek A\u00e7m\u0131\u015f \u015eeftali A\u011fa\u00e7lar\u0131 tablosu, Kraliyet Akademisi\u2019ndeki Leonardo Da Vinci’nin \u00f6\u011frencisi Giampietrino taraf\u0131ndan yap\u0131ld\u0131\u011f\u0131na inan\u0131lan Da Vinci\u2019nin \u2018Son Ak\u015fam Yeme\u011fi\u2019 adl\u0131 eserinin kopyas\u0131, aktivistlerin eylem noktas\u0131 olmu\u015ftu. Yine Londra\u2019daki Ulusal Galeri\u2019ye gelen iki iklim aktivisti kendilerini ellerine s\u00fcrd\u00fckleri yap\u0131\u015ft\u0131r\u0131c\u0131yla John Constable\u2019\u0131n 1821 tarihli eseri Saman Arabas\u0131 \u00e7er\u00e7evesine yap\u0131\u015ft\u0131rm\u0131\u015flard\u0131. Tablonun \u00fczerini ise yanlar\u0131nda getirdikleri Gelece\u011fin K\u0131yamet Vizyonu ad\u0131n\u0131 verdikleri resim ile kaplam\u0131\u015flard\u0131. Bu eylem sonras\u0131 orijinal tabloda baz\u0131 hasarlar tespit edilmi\u015fti\u201d<\/em> ifadelerini kulland\u0131.<\/p>\n

Ama\u00e7lar\u0131 ne?<\/strong><\/h3>\n

Eylemcilerin son dura\u011f\u0131 ise Almanya oldu. \u0130klim aktivistlerinin Frans\u0131z ressam Claude Monet’in Barberini M\u00fczesi’nde<\/strong> sergilenen tablosuna patates p\u00fcresi f\u0131rlatt\u0131\u011f\u0131n\u0131 aktaran Ers\u00f6z, eylemlerin sanat galerileri<\/strong>nde yapmas\u0131n\u0131n nedenleri hakk\u0131nda ise \u201cSanat\u0131n d\u00fcnyay\u0131 de\u011fi\u015ftirme g\u00fcc\u00fc \u00e7er\u00e7evesinde, kendilerine destek olmas\u0131n\u0131 talep ediyorlar. Yeni petrol taahh\u00fctleri<\/strong> durdurulana kadar, bu konuya fark\u0131ndal\u0131k sa\u011flanmas\u0131 i\u00e7in galerilerin kapat\u0131lmas\u0131n\u0131 istiyorlar. Fakat genelde protestocular ama\u00e7lar\u0131n\u0131n, eserlere hasar vermek de\u011fil, iklim krizine y\u00f6nelik tehditlere dikkat \u00e7ekmek<\/strong> oldu\u011funu ifade ediyorlar. Eyleme kat\u0131lanlar iklim krizinin olumsuz etkilerini art\u0131racak uygulamalar\u0131n \u00f6n\u00fcne ge\u00e7ilmesini, \u0130ngiltere\u2019deki petrol<\/strong> ve gaz projeleri<\/strong>nin durdurulmas\u0131n\u0131<\/strong> talep ediyorlar. Yeni petrol taahh\u00fctleri durdurulana kadar, bu konuya fark\u0131ndal\u0131k sa\u011flanmas\u0131 i\u00e7in galerilerin kapat\u0131lmas\u0131n\u0131 istiyorlar\u201d<\/em> diye konu\u015ftu.<\/p>\n

2030\u2019a kadar azalt\u0131lmal\u0131<\/strong><\/h3>\n

Fosil yak\u0131tlar<\/strong> iklim krizinin etkilerinin artmas\u0131na yol a\u00e7t\u0131\u011f\u0131n\u0131 dile getiren Ers\u00f6z, \u201c2030 y\u0131l\u0131na kadar sera gaz\u0131 emisyonlar\u0131<\/strong>n\u0131n \u00e7ok h\u0131zl\u0131 bir \u015fekilde azalt\u0131lmas\u0131<\/strong> gerekiyor. \u00a02030 iklim hedefi<\/strong>, devletlerin iklim de\u011fi\u015fikli\u011fine neden olan emisyonlar\u0131n\u0131 azaltmak<\/strong> \u00fczere bug\u00fcnden 2030\u2019a kadar ge\u00e7ecek s\u00fcre i\u00e7in belirledikleri hedefleri ifade ediyor. K\u00fcresel \u0131s\u0131nman\u0131n 1,5\u2103<\/strong> ile s\u0131n\u0131rland\u0131r\u0131lmas\u0131 i\u00e7in ise t\u00fcm \u00fclkelerin<\/strong> bu konuda etkin tedbirler almas\u0131<\/strong> gerekiyor. \u00a0Enerjide teknolojinin kullan\u0131m<\/strong>\u0131, her sekt\u00f6rdeki yenilenebilir<\/strong> ve s\u00fcrd\u00fcr\u00fclebilir \u00e7\u00f6z\u00fcmler<\/strong> bu tedbirlere katk\u0131 sa\u011flayabilir\u201d<\/em> dedi.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. \u0130klim aktivistlerinin sanat eserlerine y\u00f6nelik sald\u0131r\u0131lar\u0131 devam ediyor. Daha \u00f6nce Fransa\u2019da Mona Lisa eserine pastal\u0131, \u0130ngiltere\u2019de Van Gogh\u2019un eserine domates \u00e7orbal\u0131 sald\u0131r\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":161561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[53,52],"tags":[42251,105717,105716,105719,1800,36026,53412,3344,1471,58520,104750,105718,2533,1296],"views":135,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/161557"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=161557"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/161557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/161561"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=161557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=161557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=161557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}