{"id":147188,"date":"2021-12-07T11:18:35","date_gmt":"2021-12-07T08:18:35","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=147188"},"modified":"2021-12-07T11:41:30","modified_gmt":"2021-12-07T08:41:30","slug":"iki-interdisipliner-sanatci-kitaplarda-ve-tangoda-bulustu","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/iki-interdisipliner-sanatci-kitaplarda-ve-tangoda-bulustu\/","title":{"rendered":"(Turkish) \u0130ki \u0130nterdisipliner Sanat\u00e7\u0131 Kitaplar’da ve Tango’da Bulu\u015ftu!"},"content":{"rendered":"

Sorry, this entry is only available in Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

<\/p>\n

LIONS KUL\u00dcP \u201cSANATA EVET\u201d Diyor!<\/strong><\/h2>\n

Sanat\u0131n hayat\u0131 alg\u0131lama bi\u00e7imi olarak kavranmas\u0131na y\u00f6nelik kurumsal destek vermeyi s\u00fcrd\u00fcren Lions Kul\u00fcp<\/strong> bir kez daha Devlet Tiyatrolar\u0131 Opera ve Balesi \u00c7al\u0131\u015fanlar\u0131 Vakf\u0131 TOBAV<\/strong> ile Tiyatro Oyuncular\u0131 Meslek Birli\u011fi<\/em> TOMEB<\/strong> kurulu\u015flar\u0131nda yer alarak, bir d\u00f6nem genel ba\u015fkanl\u0131\u011f\u0131n\u0131 yapm\u0131\u015f olan y\u00f6netti\u011fi oyunlarla, Kanada, Rusya, \u0130ran, G\u00fcney Kore ve Kuzey K\u0131br\u0131s\u2019ta<\/strong> davet edildi\u011fi festivallerin yan\u0131s\u0131ra, K\u0131\u015f Uykusu, Simindis Kundzuli (M\u0131s\u0131r Adas\u0131) Tepenin Ard\u0131<\/strong> gibi festival filmlerinde oynay\u0131p ba\u015far\u0131 hikayeleri ve \u00f6d\u00fcllerle d\u00f6nen \u00c7a\u011fda\u015f Drama Derne\u011fi\u2019<\/strong>nin kurucular\u0131ndan usta ve sevilen Tiyatro sanat\u00e7\u0131s\u0131, sanat y\u00f6netmeni Yazar Tamer Levent<\/strong>\u2019e, bu kez kap\u0131daki tabelas\u0131nda ge\u00e7en ismiyle uluslararas\u0131 Lions Dernekleri \u0130stanbul Anadolu Yakas\u0131 Sosyal Hizmet Vakf\u0131 <\/strong>binas\u0131 olan tarihi Kilerciba\u015f\u0131 K\u00f6\u015fk\u00fc<\/strong>\u2019n\u00fcn kap\u0131lar\u0131n\u0131 a\u00e7t\u0131.<\/p>\n

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27 Kas\u0131m D\u00fcnya Yarat\u0131c\u0131 Drama g\u00fcn\u00fcnde \u201cSANATA EVET\u201d<\/strong><\/h3>\n

Anadolu Yakas\u0131\u2019n\u0131n<\/strong> etkin sivil toplum kurulu\u015flar\u0131ndan biri olan Kazasker Lions Kul\u00fcb\u00fc<\/strong>, Khalkedon Lions Kul\u00fcb\u00fc, Suadiye Lions Kul\u00fcb\u00fc ve Artshop Yay\u0131nc\u0131l\u0131k<\/em> taraf\u0131ndan organize edilen Tamer Levent<\/strong> s\u00f6yle\u015fisi ve Artshop Yay\u0131nlar\u0131<\/strong> taraf\u0131ndan yay\u0131mlanan ‘Ni\u00e7in Tiyatro<\/strong>‘dan\u201d \u00a0“Sanataevet”e<\/strong> – kitab\u0131 , imza g\u00fcn\u00fc 27 Kas\u0131m 2021 Cumartesi<\/strong> g\u00fcn\u00fc \u0130stanbul Anadolu Yakas\u0131\u2019nda<\/strong> Uluslararas\u0131 Lions 118- Y\u00f6netim \u00c7evresi Merkezi<\/strong> binas\u0131nda ger\u00e7ekle\u015fti.<\/p>\n

E\u015fi \u015eenay Akdamar<\/strong> ile birlikte kurucular\u0131ndan biri oldu\u011fu Artshop Yay\u0131nc\u0131l\u0131k<\/strong>\u2019\u0131n Genel Yay\u0131n Y\u00f6netmeni Vedat Akdamar, s\u00f6yle\u015finin takdimi ve moderasyonu esnas\u0131nda kendisi gibi Lions kul\u00fcb\u00fc<\/strong> \u00fcyesi olan sanat\u00e7\u0131 yazar Tamer Levent<\/strong> ile birlikte yer ald\u0131.<\/p>\n

S\u00f6yle\u015finin sonunda 2021-2022 D\u00f6nemi<\/strong> \u0130stanbul Anadolu Yakas\u0131 Y\u00f6netim \u00c7evresi. Genel Y\u00f6netmen: Ln. \u0130nci Otman <\/strong>haziruna sanata dair sanatsal s\u00f6zc\u00fcklerini de i\u00e7ine katt\u0131\u011f\u0131 bir kapan\u0131\u015f konu\u015fmas\u0131 yapt\u0131.<\/p>\n

\u0130mzalanan kitab\u0131n sat\u0131\u015f gelirleri 118 Y Anadolu Yakas\u0131 Lions<\/strong> federasyonu olarak ihtiyac\u0131 olan \u00fcniversite \u00f6\u011frencilerine<\/strong> sa\u011flanacak burs kapsam\u0131nda<\/strong> de\u011ferlendirilmektedir.<\/p>\n

Lions Kul\u00fcb\u00fc ge\u00e7mi\u015f y\u0131llarda Avrupa Yakas\u0131nda 2011<\/strong> senesinde Lions 118 T- Y\u00f6netim \u00c7evresi <\/strong>olarak sanat\u00e7\u0131 H. \u00c7i\u011fdem Yorganc\u0131o\u011flu<\/strong>\u2019nun T\u00fcrkiye\u2019yi ABD<\/strong> de ve Katar<\/strong>‘da temsil eden ya\u011fl\u0131boya eserlerinin<\/strong> yer ald\u0131\u011f\u0131 resim sergi<\/strong> ve teatral performans\u0131na<\/strong> ev sahipli\u011fi yapm\u0131\u015ft\u0131.<\/p>\n

\u201cSANATA EVET\u201d\u00a0 Nedir ? <\/strong><\/h3>\n

Avrupa\u2019y\u0131 ve dolay\u0131s\u0131yla d\u00fcnyay\u0131 etkilemi\u015f olan r\u00f6nesans<\/strong> ve reform felsefesi<\/strong> olan LebenKunst<\/strong>\u2019u da destekleyen sanat\u0131n sadece resmin, heykelin, edebiyat ve \u015fiirin, mimarinin, tiyatronun, sineman\u0131n<\/strong> bir ismi olmad\u0131\u011f\u0131n\u0131 benimseyen bir bakma ve d\u00fc\u015f\u00fcnce bi\u00e7imi…<\/p>\n

Sanata Evet;<\/strong><\/span> sanat\u0131n bir \u00fcr\u00fcn de\u011fil<\/strong> bir s\u00fcre\u00e7 oldu\u011funu<\/strong> savunmaktad\u0131r. Bu s\u00fcre\u00e7 sonunda ortaya \u00e7\u0131kan her\u015feyin iyi do\u011fru ve g\u00fczel kavramlar\u0131 ve Poetika<\/strong> \u00fczerinden Aristo<\/strong> ve Hegel<\/strong>\u2019in felsefelerine de isnat edilen iyi, do\u011fru g\u00fczel<\/strong> ya da ba\u015fka bir deyi\u015fle etik, estetik<\/strong> ve adalet<\/strong> kavramlar\u0131yla \u00f6rt\u00fc\u015ft\u00fc\u011f\u00fc takdirde sanat olarak kabul etmektedir. Sanataevet.org<\/strong> D\u00fcnya’n\u0131n daha iyi bir yer olabilmesi i\u00e7in sanat\u0131n t\u00fcm s\u00fcre\u00e7<\/strong> ve alanlarda<\/strong> olmas\u0131n\u0131 savunan<\/strong> ve bu d\u00fc\u015f\u00fcncenin yay\u0131lmas\u0131<\/strong> i\u00e7in gayret g\u00f6steren g\u00f6n\u00fcll\u00fclerden olu\u015fan bir platformdur.<\/p>\n

‘Rafet Koroglu’ Acaba bir g\u00fcn ‘Camdaki K\u0131z’ ile de tango dans\u0131 yapacak m\u0131 ?<\/strong><\/h3>\n

Davetliler aras\u0131nda son kitab\u0131, Tamer Levent<\/strong> gibi yine Artshop<\/strong> taraf\u0131ndan yay\u0131nlanan D\u00fcnya Gezgini ve T\u00fcrkiye\u2019yi akademik sunumlar resim sergi ve teatral performanslar\u0131yla yurt d\u0131\u015f\u0131nda temsil eden, Ya\u015famda Kal\u0131c\u0131 Bar\u0131\u015f ve Ba\u015far\u0131 i\u00e7in Sanat ve Yarat\u0131cl\u0131k <\/strong>konulu ART-CHI<\/strong> ve EFTALYA ART FOR THE SOCIETY, CI TANGO TALKS <\/strong>e\u011fitim, seminer, konferanslar, s\u00f6yle\u015filerinin yurt i\u00e7inde ve d\u0131\u015f\u0131nda mimar\u0131 olan ekonomist, d\u00fcnya gezgini (107 \u00fclke) interdisipliner sanat\u00e7\u0131<\/em> Hicran \u00c7i\u011fdem Yorganc\u0131o\u011flu<\/strong>\u2019da vard\u0131. Birbirlerine kitaplar\u0131n\u0131 imzalayan 2 sanat\u00e7\u0131<\/strong> imza ve kokteyl sonras\u0131<\/strong> davetliler huzurunda mini bir do\u011fa\u00e7lama tango dans\u0131 denemesi<\/strong> yapt\u0131lar. “Sanata Evet”<\/strong> diyen Tamer Levent<\/strong> gibi usta bir sanat\u00e7\u0131n\u0131n an\u0131nda hemen dans s\u00fcrecine g\u00f6sterdi\u011fi uyum sanat\u0131n hangi dal\u0131 ile u\u011fra\u015f\u0131l\u0131rsa u\u011fra\u015f\u0131ls\u0131n bir di\u011ferine ge\u00e7i\u015fte insan\u0131n n\u00f6ronlar\u0131n\u0131 nas\u0131l ate\u015fledi\u011finin<\/strong> adeta bir alameti farikas\u0131yd\u0131. Bu dans belki G\u00fclseren Buday\u0131c\u0131o\u011flu<\/strong>‘nun ayn\u0131 isimli roman\u0131ndan uyarlanan ve yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 OGM Pictures<\/strong>‘\u0131n \u00fcstlendi\u011fi halen Kanal D ekranlar\u0131ndan<\/strong> yay\u0131nlanmakta olan Camdaki K\u0131z dizisinde<\/strong> senaryoya eklemelerle Rafet Koroglu<\/strong> bir g\u00fcn tango dans\u0131 yapacak m\u0131 sorular\u0131n\u0131 da akla getirebilir.<\/p>\n

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Uzm. Psikolog Ressam<\/em> Meltem Akhan<\/strong>, Kirpi Edebiyat ve D\u00fc\u015f\u00fcn Dergisi\u2019nde<\/strong> yay\u0131n kurulu \u00fcyesi Cemile Kurta\u015f<\/strong> gibi sanat<\/strong> ve edebiyat<\/strong> dostlar\u0131m\u0131z\u0131n, organizasyonun kusursuz ge\u00e7mesini sa\u011flayan Artshop Yay\u0131nc\u0131l\u0131k<\/strong> Kurucular\u0131 Vedat Akdamar (GenelYay\u0131nY\u00f6n.)- \u015eenay Varl\u0131o\u011flu Akdamar \u00e7ifti gibi organizasyon sahibi kat\u0131l\u0131mc\u0131lar\u0131n yan\u0131s\u0131ra STK<\/strong> b\u00fcnyesinde, 118Y Anadolu Yakas\u0131 Lions Federasyonu 2021 2022 d\u00f6nemi g\u00f6revi burslu \u00f6\u011frenci say\u0131s\u0131n\u0131 art\u0131rmak<\/strong> olan Kabine Lideri T\u00fcrkan Do\u011fan<\/strong> ve 2021-2022 D\u00f6nemi \u0130stanbul Anadolu Yakas\u0131 Y\u00f6netim \u00c7evresi. Genel Y\u00f6netmeni\u00a0 Ln. \u0130nci Otman<\/strong> ile k\u0131sa ve de\u011ferli sohbet imkan\u0131 buldu\u011fum bu organizasyonda eme\u011fi ge\u00e7en herkese te\u015fekk\u00fcrler. – Cigdem Yorgancioglu<\/p>\n

S\u00f6yle\u015fiden Enstanteneler <\/strong><\/h3>\n

Sanat\u0131<\/strong> ve d\u00fc\u015f\u00fcnceyi, mant\u0131k, ger\u00e7eklik, do\u011fruluk, adalet<\/strong> kavramlar\u0131 \u00fczerinden Aristo<\/strong> ve Hegel<\/strong> felsefelerine ve epistemolojiye at\u0131flarda bulunarak kat\u0131l\u0131mc\u0131lara aktaran, oyuncuyu<\/strong> ve dahi sanat\u00e7\u0131y\u0131<\/strong> bir insan-bilimci<\/strong> olarak g\u00f6ren Levent<\/strong>, sanat olay\u0131n\u0131 ara\u015ft\u0131ran ilk eser olan Aristo\u2019nun<\/strong> Poetika<\/strong>‘s\u0131ndan Lebenskunst Ya\u015fama Sanat\u0131na<\/strong> kadar pek \u00e7ok konuya de\u011findi s\u00f6yle\u015fisi kat\u0131l\u0131mc\u0131lar taraf\u0131ndan ilgi ve dikkatle izlendi.<\/p>\n

Sanat\u0131n bir \u00fcr\u00fcn<\/strong> de\u011fil bir s\u00fcre\u00e7 oldu\u011funu,<\/strong> bir meslekten ziyade SANAT kavram\u0131n\u0131<\/strong> ise \u00e7a\u011f\u0131n ya\u015fama<\/strong> ve d\u00fc\u015f\u00fcnme bi\u00e7imi<\/strong> olarak tan\u0131mland\u0131\u011f\u0131n\u0131, insan beyninin bir yans\u0131mas\u0131 olarak sanat\u0131n, insan beyninin bizzat kendisi oldu\u011funu buna istinaden interdisipliner<\/strong> ve multidisipliner sistemler<\/strong> olu\u015fturulmas\u0131 gerekti\u011fini, ilaveten toplumun t\u00fcm kesimlerinin kendi ya\u015fam kalitelerini y\u00fcksek seviyeye ta\u015f\u0131yabilmek<\/strong> \u00a0i\u00e7in bu kavrama sahip \u00e7\u0131kmas\u0131 gerekti\u011fini\u00a0 savunan \u201cSanata Evet\u201d<\/strong> fikrinin ve platformunun kurucusu Tamer Levent, bu yolda 35 seneyi a\u015fk\u0131n<\/strong> bir s\u00fcredir teorik<\/strong> ve pratik<\/strong> gayretlerini s\u00fcrd\u00fcrmekte oldu\u011funun da alt\u0131n\u0131 \u00e7izdi.<\/p>\n

Ki\u015finin kendini yap\u0131land\u0131rabilmesinin ustal\u0131\u011f\u0131n\u0131 eline almas\u0131<\/strong> noktas\u0131nda b\u00fct\u00fcn insanlar\u0131n d\u00fcnyaya \u201csanat eseri\u201d<\/strong> olarak gelmelerine ra\u011fmen ekseriya ya\u015fad\u0131klar\u0131 \u00e7evrenin<\/strong> onlar\u0131 s\u0131radanla\u015ft\u0131rd\u0131\u011f\u0131n\u0131, Sanat\u0131n bir i\u015fin itinayla <\/strong>ve yarat\u0131c\u0131<\/strong> olarak yap\u0131lmas\u0131 d\u00fc\u015f\u00fcncesinin<\/strong> ve mesuliyetinin ismi<\/strong> oldu\u011funu savunan Levent, Sanat, ya\u015fama de\u011fer katmak<\/strong> i\u00e7in yap\u0131lan nitelikli \u00fcretimdir<\/strong>. K\u0131ymeti\u00a0 anla\u015f\u0131ld\u0131\u011f\u0131nda ya\u015fam\u0131n her alan\u0131nda ve merhalesinde yarat\u0131c\u0131 d\u00fc\u015f\u00fcnceye, kararl\u0131l\u0131\u011fa, titizli\u011fe, tutarl\u0131l\u0131\u011fa, sevgiye, sorumluluk ve \u00f6zen ile \u00fcretmeye<\/strong> yol g\u00f6sterir \u015feklindeki fikriyattan hareketle M\u0131\u015f gibi hayatlar\u0131n d\u0131\u015f\u0131na \u00e7\u0131km\u0131\u015f olup<\/strong> samimi fark\u0131ndal\u0131\u011f\u0131n, ancak ya\u015fam\u0131 sorgulama, d\u00fc\u015f\u00fcnce bi\u00e7imlerini\u00a0 de\u011fi\u015ftirerek otomatik pilottan ve dogmalardan \u00e7\u0131k\u0131p n\u00f6ronlar\u0131\u00a0 \u015fa\u015f\u0131rtma, gizemleri \u00e7\u00f6zme tutkusu, kendini geli\u015ftirme, bilgiye ula\u015fmak, bilgiyi i\u00e7selle\u015ftirmek ,bilgiyi aktarmak ve geli\u015ftirmek, sonra bunlar\u0131n t\u00fcm\u00fcn\u00fc ya\u015fama ge\u00e7irmek<\/strong> sanat\u0131d\u0131r bak\u0131\u015f a\u00e7\u0131s\u0131 temelli bir Sanata Evet s\u00f6yle\u015fisi<\/strong> ger\u00e7ekle\u015ftirdi. Levent\u2019e g\u00f6re ya\u015fam\u0131 sanatsalla\u015ft\u0131rmay\u0131<\/strong> ideal edinen ve kendini in\u015fa eden insan yarat\u0131lmal\u0131. \u201cLebenkunst -ya\u015fama sanat\u0131\u201d felsefesi<\/strong>ne, kent esteti\u011finden kentteki ya\u015fam\u0131n sanatsalla\u015fmas\u0131<\/strong> kavram\u0131n\u0131n anla\u015f\u0131lmas\u0131 gereklili\u011fine kadar de\u011findi\u011fi ve Fikri M\u00fclkiyet<\/strong> de\u011fil ama telif<\/strong> kelimesinin sanat\u0131n ruhu<\/strong> ile ba\u011fda\u015fmad\u0131\u011f\u0131n\u0131n da alt\u0131n\u0131 \u00e7izen konu\u015fmas\u0131nda k\u0131ymetli sanat\u00e7\u0131 Levent;<\/span><\/p>\n

Daha ya\u015fanabilir bir d\u00fcnya i\u00e7in d\u00fc\u015f\u00fcnmeye ve sanata ihtiya\u00e7 var m\u0131? Sanat ula\u015f\u0131labilir mi anla\u015f\u0131labilir mi? Sanat yurtta ve d\u00fcnyada demokrasinin \u00f6n\u00fcn\u00fc a\u00e7ar m\u0131,sanata, sanat k\u00fclt\u00fcr\u00fcne kafi miktarda yat\u0131r\u0131m yap\u0131lmam\u0131\u015fsa toplumlarda bir noksanl\u0131k duygusu hakim midir?..<\/em> Sanat\u0131n de\u011fi\u015ftirici d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc, iyile\u015ftirici \u00f6zelli\u011fi insana ve topluma neler katar sorular\u0131n\u0131n yan\u0131tlar\u0131n\u0131 aramaya te\u015fvik eden ilham verici bu s\u00f6yle\u015fi esnas\u0131nda \u00c7i\u011fdem Yorganc\u0131o\u011flu olarak \u201cSanata Evet demek”<\/strong> sanata hay\u0131r diyenlere de “hay\u0131r”<\/strong> demek fikrini co\u015fturuyordu i\u00e7imde,<\/p>\n

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Sanat s\u00fcre\u00e7 midir ?<\/strong> Bu sorular\u0131n cevab\u0131 \u201cevet\u201d <\/strong>Aynada kendini izleyen insan acaba kendini yad\u0131rgay\u0131p kavga m\u0131 edecek yoksa kendine mi a\u015f\u0131k olacak Narciusus<\/strong> gibi .. ya da kendini mi in\u015fa etmeye ba\u015flayacak bu ve benzeri d\u00fc\u015f\u00fcnce kap\u0131lar\u0131n\u0131 aralayan bir s\u00f6yle\u015fi G\u00f6k bilimden, felsefeye,\u00a0 siyasetten zoolojiye, mant\u0131ktan biyolojiye ya da fizikten etik anlay\u0131\u015fa<\/strong> dair pek \u00e7ok alanda\u00a0 eserler kaleme alan Antik Yunan filozofu Aristo<\/strong>‘nun varl\u0131\u011f\u0131n erdeminin, iyi durumda olmas\u0131n\u0131 ve i\u015fini iyi yapmas\u0131 olmas\u0131 gereklili\u011fi \u00fczerine temellendirdi\u011fi d\u00fc\u015f\u00fcnce<\/strong> ve tasarlama s\u00fcrecinin<\/strong> ad\u0131 olan sanat anlay\u0131\u015f\u0131n\u0131nda<\/strong> insan\u0131n erdemi i\u015fini<\/strong> ve i\u015flevini<\/strong> iyi yapmas\u0131d\u0131r fikrinden de g\u00fc\u00e7 alan<\/strong>, i\u015fini iyi yapan herkes sanat\u00e7\u0131<\/strong> olabilir fikrini, sonuna kadar destekleyen iyiye do\u011fruya g\u00fczele adalete y\u00f6nelen, bilimin de bu do\u011frultudaki s\u00fcrece hizmet eden ve ku\u015faktan ku\u015fa\u011fa aktar\u0131lan<\/strong> bilginin ad\u0131 oldu\u011funu savunan bir proje \u201cSanata Evet\u201d.<\/strong><\/p>\n

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K\u0130TABA DA\u0130R <\/strong><\/h3>\n

D\u00fc\u015f\u00fcnceyi olgunla\u015ft\u0131r\u0131p projeye d\u00f6n\u00fc\u015ft\u00fcrmek s\u00fcre\u00e7. Bu s\u00fcrecin i\u00e7inde b\u00fct\u00fcn ya\u015fam ve onun ula\u015f\u0131labilir k\u00fclt\u00fcr\u00fcn\u00fc olu\u015fturabilme do\u011frultusunda SANATA EVET<\/strong> diyen Sn. Levent<\/strong>\u2019in kitab\u0131n\u0131n kapa\u011f\u0131n\u0131n arka y\u00fcz\u00fcnden bir al\u0131nt\u0131 … ile sonland\u0131ral\u0131m s\u00f6zlerimizi<\/p>\n

35 y\u0131l\u0131 a\u015fk\u0131n<\/strong> SANATA EVET ser\u00fcveninin nas\u0131l bir d\u00fc\u015f\u00fcnme<\/strong> ve ki\u015fisel sorgulama<\/strong> d\u00f6neminden ge\u00e7ti\u011fini okurlar\u0131na belgelemi\u015f oldu\u011fu kitab\u0131na dair 1993<\/strong>\u2019den 2021\u2019e<\/strong> kadar olan s\u00fcre\u00e7te SANATA EVET<\/strong> d\u00fc\u015f\u00fcncesinde daha\u00a0 da netle\u015fmesinin br \u00fcr\u00fcn\u00fc olan kitaptaki yaz\u0131larda kulland\u0131\u011f\u0131 \u201csanat\u00e7\u0131\u201d<\/strong> kelimesini art\u0131k kullanm\u0131yor.. Tamer Levent<\/strong> , Meslek kavram\u0131n\u0131 yeri geldik\u00e7e beceri olarak da tan\u0131ml\u0131yorum. SANAT kavram\u0131n\u0131 ise \u00e7a\u011f\u0131n ya\u015fama<\/strong> ve d\u00fc\u015f\u00fcnme bi\u00e7imi<\/strong> olarak tan\u0131ml\u0131yorum art\u0131k.
\n<\/em><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n

Wittgenstein\u2019\u0131n<\/strong> dedi\u011fi gibi \u201c\u2026 bir kavram\u0131n anlam\u0131 onun tan\u0131m\u0131yla saptan\u0131r; yani bir kavram\u0131n neye i\u015faret etti\u011fini bilmek demek o s\u0131n\u0131fa giren b\u00fct\u00fcn disiplinlerin ortak \u00f6zelliklerini bilmek demektir. Bunlar kavram\u0131n \u00f6z\u00fcn\u00fc te\u015fkil eder.\u201d
\n<\/em><\/p>\n

O halde i\u00e7inde bulundu\u011fumuz milenyumda<\/strong> \u015fimdi s\u0131ra SANAT<\/strong> kavram\u0131n\u0131 b\u00f6yle anlamaya geldi! SANATAEVET<\/strong> bu anlamda bireyin kendisini tan\u0131yarak geli\u015ftirmesi vizyonudur.
\n<\/em><\/p>\n

Birey olmak ve estetik de\u011fer sahibi olman\u0131n anahtar ismidir.
\n<\/em><\/p>\n

Ben de bu ismin bilincine, kendi s\u00fcrecimde ula\u015fmaya \u00e7al\u0131\u015f\u0131yorum. Her g\u00fcn ke\u015fiflerde bulunuyor, kendimi h\u00e2l\u00e2 daha iyi tan\u0131maya \u00e7al\u0131\u015f\u0131yorum. Ya\u015fam\u0131, durumlar\u0131, durumlar\u0131n akt\u00f6rleri olanlar\u0131 izliyor, inceliyor, anlamaya \u00e7al\u0131\u015f\u0131yorum.
\n<\/em><\/p>\n

Bu da benim hep yo\u011fun oldu\u011fum u\u011fra\u015flar i\u00e7inde olmama neden oluyor.
\nBu kitaptaki yaz\u0131lar, bu u\u011fra\u015flar\u0131m\u0131n bir k\u0131sm\u0131 olan, o zaman d\u00f6nemindeki d\u00fc\u015f\u00fcnce bi\u00e7imimi\u00a0 yans\u0131t\u0131yor.
\n<\/em><\/p>\n

Bu g\u00fcnk\u00fc d\u00fc\u015f\u00fcnce bi\u00e7imimin olu\u015fmas\u0131 s\u00fcrecini\u00a0 yani…<\/em><\/p>\n

Bkz:<\/strong> Tamer Levent —-> Ni\u00e7in Tiyatro’dan “Sanataevet”e, — Artshop Yay\u0131nlar\u0131, A\u011fustos 2021<\/strong><\/p>\n

\u00c7i\u011fdem Yorganc\u0131o\u011flu – (Kitap T\u00fcrk\u00e7e-\u0130ngilizce) MODERNISM- NOVUS ORDO SECLORUM MODERN\u0130TE -YEN\u0130 D\u00dcNYA D\u00dcZEN\u0130 – Tango w\u0131th She Elephants and He Horses Erkek Atlar ve Di\u015fi Filler ile Tango\u00a0\u00a0 -Artshop Yay\u0131nlar\u0131, Mart 2020<\/p>\n

Tango Dans Videolar\u0131:<\/strong><\/p>\n

https:\/\/www.youtube.com\/watch?v=8OPqeA0iEtk<\/a>\u00a0–\u00a0https:\/\/www.youtube.com\/watch?v=s8f_-D7sDNo&t=12s<\/a><\/p>\n

http:\/\/www.cigdemyorgancioglu.org\/<\/a>\u00a0– https:\/\/yestoart.org\/<\/a><\/p>\n

\"\"<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. LIONS KUL\u00dcP \u201cSANATA EVET\u201d Diyor! Sanat\u0131n hayat\u0131 alg\u0131lama bi\u00e7imi olarak kavranmas\u0131na y\u00f6nelik kurumsal destek vermeyi s\u00fcrd\u00fcren Lions Kul\u00fcp bir kez daha Devlet […]<\/p>\n","protected":false},"author":1,"featured_media":147194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[53,4],"tags":[99146,99148,34390,99149,99150,99152,99143,99151,99147,99144,99145],"views":205,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/147188"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=147188"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/147188\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/147194"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=147188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=147188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=147188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}