{"id":143133,"date":"2021-10-01T14:02:40","date_gmt":"2021-10-01T11:02:40","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=143133"},"modified":"2021-10-01T14:03:16","modified_gmt":"2021-10-01T11:03:16","slug":"sonbahari-dunya-edebiyatindan-3-guclu-roman-karsiliyor","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/sonbahari-dunya-edebiyatindan-3-guclu-roman-karsiliyor\/","title":{"rendered":"(Turkish) Sonbahar\u0131 D\u00fcnya Edebiyat\u0131’ndan 3 G\u00fc\u00e7l\u00fc Roman Kar\u015f\u0131l\u0131yor…"},"content":{"rendered":"

Sorry, this entry is only available in Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

<\/p>\n

Eyl\u00fcl 2021\u2019de yay\u0131mlad\u0131\u011f\u0131 ve d\u00fcnya edebiyat\u0131n\u0131n g\u00fc\u00e7l\u00fc \u00f6rneklerini yans\u0131tan 3 romanla kar\u015f\u0131lad\u0131. \u0130talya\u2019n\u0131n ya\u015fayan en \u00f6nemli \u015fairlerinden Giuseppe Conte\u2019un \u00c2\u015f\u0131k Dante \u2013 Yery\u00fcz\u00fcnde 700. Gece<\/em>, ABD\u2019li yazar Wallace Stegner\u2019\u0131n Pulitzer \u00f6d\u00fcll\u00fc roman\u0131 Doyma \u00c2n\u0131 <\/em>ve Latin Amerika\u2019n\u0131n cesur sesi Karina Sainz Borgo\u2019nun dokunakl\u0131 ilk roman\u0131 \u00d6l\u00fcleri Defnetmek<\/em>, Kafka Kitap logosuyla raflarda yerini ald\u0131…<\/strong><\/h2>\n

\"\"<\/p>\n

\u00c2\u015f\u0131k Dante \u2013 Yery\u00fcz\u00fcnde 700. Gece<\/em><\/strong><\/p>\n

Giuseppe Conte<\/strong><\/p>\n

\u0130nsano\u011flu\u2026 G\u00f6r\u00fcnen d\u00fcnyan\u0131n h\u00fck\u00fcmdar\u0131! \u015eimdi kendisini \u00e7evreleyen havadan, g\u00f6r\u00fcnmezden, son derece k\u00fc\u00e7\u00fck olandan, hi\u00e7bir \u015fey yapamayaca\u011f\u0131 tehlikelerden korunmak zorundad\u0131r. \u0130\u00e7eriye kapatabilir kendisini, bunun gibi odalarda g\u00fcvende kalabilir. Ve en nihayetinde hayaletimsi, s\u00f6n\u00fck bir \u0131\u015f\u0131k yayan, boyut olarak birbirinden farkl\u0131, \u00e7ok say\u0131da ekrandan olu\u015fan bir labirentte ya\u015farken benden \u00e7ok daha \u201chayalet\u201d olabilir. Zira kendisini ekranlar\u0131 aras\u0131na hapseden biri art\u0131k g\u00fcne\u015fi ve r\u00fczg\u00e2r\u0131, dalgalar\u0131 ve y\u0131ld\u0131zlar\u0131 bilmez. Hakikatsiz, \u00f6zs\u00fcz g\u00f6r\u00fcnt\u00fcler aras\u0131nda ya\u015far. Ona sahip oldu\u011funu d\u00fc\u015f\u00fcnmesine, ona iyi bakmas\u0131na ve onu elinden geldi\u011fince giydirmesine ra\u011fmen art\u0131k bir bedene sahip de\u011fildir. Kafatas\u0131 ayan beyan se\u00e7ilse de art\u0131k kendisine ait bir beyni yoktur; duygular\u0131 ve an\u0131lar\u0131 da. Oysa ben b\u00fct\u00fcn bunlara sahibim, bir g\u00f6lge olsam bile.<\/em><\/p>\n

14 Eyl\u00fcl 1321 tarihinde, y\u00fcre\u011finde kavu\u015fulmayan a\u015fk\u0131n \u0131st\u0131rab\u0131yla bu d\u00fcnyadan g\u00f6\u00e7en Dante\u2019nin h\u00e2li Kutsal Efendi\u2019yi bile incitir. Cennetin kap\u0131lar\u0131na dayand\u0131\u011f\u0131nda kendisine bir teklif sunulur: Bundan sonra her \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fcnde bir g\u00f6lge h\u00e2linde de olsa, g\u00fcnbat\u0131m\u0131ndan \u015fafa\u011fa dek yery\u00fcz\u00fcne g\u00f6nderilecektir. Fanilerin et, kan ve kemikten bedenine sahipken bulamad\u0131\u011f\u0131 a\u015fkla kar\u015f\u0131la\u015fmay\u0131 ba\u015far\u0131r, onu g\u00f6r\u00fcp duyan olmasa da mak\u00fbs talihini bir \u015fekilde alt edebilirse, yery\u00fcz\u00fcnde yeni bir \u015fans\u0131 olacakt\u0131r.<\/p>\n

Dante, tam alt\u0131 y\u00fcz doksan dokuz gece, ayn\u0131 tarihte, Floransa\u2019da o \u00e7ok sevdi\u011fi katedralin \u00f6n\u00fcnde bulur kendini ve etraf\u0131n\u0131 saran kalabal\u0131kta a\u015fk\u0131n suretini se\u00e7meye \u00e7al\u0131\u015f\u0131r. Ne yaz\u0131k ki g\u00fcn\u00fcn ilk \u0131\u015f\u0131klar\u0131 hayal k\u0131r\u0131kl\u0131\u011f\u0131yla birlikte s\u00f6ker ufuktan ve \u00f6te \u00e2leme mutsuz bir geri d\u00f6n\u00fc\u015f ba\u015flar. Ta ki yedi y\u00fcz\u00fcnc\u00fc geceye kadar\u2026<\/p>\n

\u0130talya\u2019n\u0131n ya\u015fayan en \u00f6nemli \u015fairlerinden biri olan Giuseppe Conte, Dante<\/strong>\u2019nin 700. \u00f6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fc<\/strong>n\u00fc onun yerine d\u00fc\u015f\u00fcn\u00fcp konu\u015ftu\u011fu bu muhte\u015fem hayalet hik\u00e2yesiyle onurland\u0131r\u0131yor. Roman\u0131n sonuna geldi\u011findeyse yeni bir b\u00f6l\u00fcm a\u00e7\u0131p Dante ve \u201ckutsal \u015fiiri\u201d<\/strong>ne dair notlar\u0131n\u0131 payla\u015fmaktan da geri durmuyor.<\/p>\n

Yery\u00fcz\u00fcndeki yedi y\u00fcz\u00fcnc\u00fc gecenin \u015ferefine!<\/p>\n

Doyma \u00c2n\u0131<\/em><\/strong><\/p>\n

Wallace Stegner<\/strong><\/p>\n

Emekli tarih profes\u00f6r\u00fc Lyman Ward, yakaland\u0131\u011f\u0131 bir kemik hastal\u0131\u011f\u0131 y\u00fcz\u00fcnden bir baca\u011f\u0131n\u0131 kaybedince babaannesiyle dedesinin eski evine \u00e7ekilir. Orada, babaannesinin hayat\u0131 kadar kendi ge\u00e7mi\u015fiyle de ba\u015f ba\u015fa kal\u0131r ve yazmaya karar verir. Bir tarih\u00e7i i\u00e7in birinin ge\u00e7mi\u015fine bakmak, herkesin ge\u00e7mi\u015fine, o \u00fclkenin de ge\u00e7mi\u015fine bakmak demektir. Bir anda Bat\u0131\u2019n\u0131n b\u00fcy\u00fcleyici kanyonlar\u0131, yaylalar\u0131, madenler etraf\u0131na kurulmu\u015f kasabalar\u0131n\u0131n ve aralar\u0131nda hayranl\u0131kla, merakla, arzuyla dola\u015ft\u0131\u011f\u0131m\u0131z insanlar\u0131n i\u00e7inde buluruz kendimizi. Lyman\u2019\u0131n ge\u00e7mi\u015fe \u00e7evirdi\u011fi bu bak\u0131\u015ftan, ge\u00e7mi\u015fin ve bug\u00fcn\u00fcn medeniyeti, do\u011fas\u0131, a\u015fk\u0131, ahlak\u0131, ekonomisi, e\u011fitimi, evlilikleri, cinselli\u011fi de nasibini al\u0131r. Ward, haf\u0131zan\u0131n romantik oyunlar\u0131na gelmez, pembe tuzaklar\u0131na hi\u00e7 d\u00fc\u015fmez. Pulitzer \u00f6d\u00fcll\u00fc Stegner\u2019\u0131n Lyman\u2019\u0131 ge\u00e7mi\u015fe bakarken haf\u0131zaya, Proust\u2019un kay\u0131p zaman\u0131n izini s\u00fcren Marcel\u2019i kadar muhta\u00e7 de\u011fildir. Lyman Ward bir tarih\u00e7idir; ge\u00e7mi\u015fi elindeki belgelerle kurar ve \u00f6yle hat\u0131rlar.<\/p>\n

Wallace Stegner’in Pulitzer \u00f6d\u00fcll\u00fc roman\u0131\u00a0Doyma \u00c2n\u0131, <\/em>co\u015fkulu dili, zamanlar aras\u0131 keskin d\u00f6n\u00fc\u015fl\u00fc modern kurgusu ve Bat\u0131\u2019y\u0131 devasa bir grav\u00fcr olarak zihnimize kaz\u0131yan k\u0131p\u0131r k\u0131p\u0131r do\u011fa sahneleriyle, i\u011fne oyas\u0131 gibi i\u015flenmi\u015f ola\u011fand\u0131\u015f\u0131 karakterlerinin pe\u015finde bizi edebi zevkin zirvelerine ta\u015f\u0131rken Amerika tarihinin belirli ve \u00e7ok canl\u0131 bir d\u00f6nemine de tan\u0131kl\u0131k etmemizi sa\u011fl\u0131yor.<\/p>\n

\u201cSiz ne d\u00fc\u015f\u00fcn\u00fcrseniz d\u00fc\u015f\u00fcn\u00fcn,\u201d <\/em>diyor Lyman Ward, \u201cben, ge\u00e7mi\u015fte oldu\u011fum her \u015feyim.\u201d<\/em><\/p>\n

\u00d6l\u00fcleri Defnetmek<\/em><\/strong><\/p>\n

Karina Sainz Borgo<\/strong><\/p>\n

\u201c\u00d6l\u00fcleri Defnetmek’in her sayfas\u0131nda Borges’in sesi yank\u0131lan\u0131yor\u2026 Muhte\u015fem bir i\u00e7 d\u00f6k\u00fc\u015f!\u201d<\/em><\/p>\n

-The New York Times<\/p>\n

Ger\u00e7e\u011fin sallanan zemininde bocalamamak i\u00e7in uzun bir s\u00fcre birbirimize bakt\u0131k. Varl\u0131\u011f\u0131m\u0131z\u0131 do\u011frulamak istercesine birbirimizin y\u00fcz\u00fcne dokunduk. Hayatta oldu\u011fumuzu ve nefes ald\u0131\u011f\u0131m\u0131z\u0131 kan\u0131tlamak ister gibi. \u00d6lmek \u00fczere olan o \u00fclkede h\u00e2l\u00e2 hayattayd\u0131k ve birbirimize dokunabildi\u011fimiz s\u00fcrece ya\u015fayacakt\u0131k. Korunmak i\u00e7in ba\u015f\u0131m\u0131za bir a\u011f \u00f6rerken, asl\u0131nda \u00f6r\u00fcmcek a\u011f\u0131na hapsolmu\u015f sinekler oldu\u011fumuzu bir an i\u00e7in unutacakt\u0131k.<\/em><\/p>\n

Adelaida Falc\u00f3n, Venezuela, Caracas’ta a\u00e7\u0131k bir mezar\u0131n \u00f6n\u00fcnde duruyor. Do\u011fdu\u011fundan beri tan\u0131y\u0131p sevdi\u011fi ve \u201cailem\u201d diyebildi\u011fi tek ki\u015fiyi, annesini az \u00f6nce g\u00f6md\u00fc. Matemi a\u011f\u0131r; ya\u015farken \u00f6l\u00fc hissetti\u011fi ilk g\u00fcn, geceye varmak \u00fczere. Yine de o hazin yerden ayr\u0131lam\u0131yor \u00e7\u00fcnk\u00fc ya\u011fmac\u0131lar\u0131n, biricik annesinin mezar\u0131n\u0131 soyaca\u011f\u0131ndan korkuyor. Bu \u00fclkede pencerelerden \u00f6l\u00fc ya\u011f\u0131yor ve onlar bile huzur bulam\u0131yor\u2026 Onlar bile!<\/p>\n

Adelaida, daha iyi bir ya\u015fam aray\u0131\u015f\u0131ndaki g\u00f6\u00e7menleri kabul eden m\u00fcreffeh bir Venezuela’da istikrarl\u0131 bir \u00e7ocukluk ge\u00e7irmi\u015f, bek\u00e2r annesiyle m\u00fctevaz\u0131 bir dairede ya\u015fam\u0131\u015ft\u0131r. Ancak annesinin \u00f6l\u00fcm\u00fcyle birlikte iyiden iyiye karanl\u0131\u011fa g\u00f6m\u00fclen \u00fclkesinde hayatta kalmak, ba\u015fl\u0131 ba\u015f\u0131na b\u00fcy\u00fck bir i\u015ftir art\u0131k\u2026 S\u0131ra ona geldi\u011finde alacak ekmek kalmayaca\u011f\u0131n\u0131 bile bile her g\u00fcn ba\u015f\u0131 sonu g\u00f6r\u00fcnmeyen kuyruklara girer. Y\u00f6netimi protesto edenlere hava yerine solutulan biber gaz\u0131n\u0131n eve girmesini engellemek i\u00e7in de pencerelerini bantlamak zorundad\u0131r. Devrimci k\u0131l\u0131\u011f\u0131na giren ya\u011fmac\u0131lar\u0131n dairesini ele ge\u00e7irdi\u011fi o son noktadaysa korkular\u0131ndan s\u0131yr\u0131l\u0131p bir dizi zorlu se\u00e7im yapmaya mecbur oldu\u011funu anlayacakt\u0131r. Bu noktada geriye kalan tek \u00f6nemli \u015fey, kendine \u201cNe kadar ileri gidebilirsin?\u201d<\/strong> sorusunun cevab\u0131n\u0131 verebilmesidir.<\/p>\n

Latin Amerika<\/strong>‘n\u0131n cesur sesi Karina Sainz Borgo<\/strong>‘nun dokunakl\u0131, heyecan verici ilk roman\u0131 \u00d6l\u00fcleri Defnetmek<\/em><\/strong>, bildi\u011fimiz d\u00fcnyan\u0131n ne kadar \u00e7abuk par\u00e7alanabilece\u011finin t\u00fcyler \u00fcrpertici bir hat\u0131rlat\u0131c\u0131s\u0131.<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Eyl\u00fcl 2021\u2019de yay\u0131mlad\u0131\u011f\u0131 ve d\u00fcnya edebiyat\u0131n\u0131n g\u00fc\u00e7l\u00fc \u00f6rneklerini yans\u0131tan 3 romanla kar\u015f\u0131lad\u0131. \u0130talya\u2019n\u0131n ya\u015fayan en \u00f6nemli \u015fairlerinden Giuseppe Conte\u2019un \u00c2\u015f\u0131k Dante \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":143138,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[53],"tags":[97064,97067,97071,97063,97070,97068,97069,79833,97066,97065],"views":183,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/143133"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=143133"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/143133\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/143138"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=143133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=143133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=143133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}