{"id":135096,"date":"2021-05-18T11:26:20","date_gmt":"2021-05-18T08:26:20","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=135096"},"modified":"2021-05-18T11:26:20","modified_gmt":"2021-05-18T08:26:20","slug":"gian-maria-tosattinin-tarlabasi-binasinda-enstalasyonu-24-mayista-aciliyor","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/gian-maria-tosattinin-tarlabasi-binasinda-enstalasyonu-24-mayista-aciliyor\/","title":{"rendered":"(Turkish) Gian Maria Tosatti’nin Tarlaba\u015f\u0131 Binas\u0131nda Enstalasyonu 24 May\u0131s’ta A\u00e7\u0131l\u0131yor!"},"content":{"rendered":"

Sorry, this entry is only available in Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

<\/p>\n

2015 y\u0131l\u0131nda ArtReview<\/em> taraf\u0131ndan, kendi jenerasyonunun en ilgin\u00e7 30 sanat\u00e7\u0131s\u0131 aras\u0131nda g\u00f6sterilen <\/strong>Gian Maria Tosatti\u2019nin \u041c\u043e\u0454 \u0441\u0435\u0440\u0446\u0435 \u043f\u0443\u0441\u0442\u0435, \u044f\u043a \u0434\u0437\u0435\u0440\u043a\u0430\u043b\u043e – \u043e\u0434\u0435\u0441\u044c\u043a\u0438\u0439 \u0435\u043f\u0456\u0437\u043e\u0434, Kalbim Ayna Gibi Bo\u015f \u2013 \u0130stanbul B\u00f6l\u00fcm\u00fc<\/em> ba\u015fl\u0131kl\u0131 enstalasyon sergisi, 24 May\u0131s Pazartesi g\u00fcn\u00fc Tarlaba\u015f\u0131\u2019nda ziyarete a\u00e7\u0131l\u0131yor! The Blank Contemporary Art (Bergamo) ve Depo (\u0130stanbul), \u0130talyan K\u00fclt\u00fcr Merkezi (\u0130stanbul) i\u015fbirli\u011fiyle ger\u00e7ekle\u015fen proje, \u0130talyan K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 \u00c7a\u011fda\u015f Yarat\u0131c\u0131l\u0131k Genel Direkt\u00f6rl\u00fc\u011f\u00fc\u2019n\u00fcn, \u0130talyan \u00e7a\u011fda\u015f sanat\u0131n\u0131n uluslararas\u0131 tan\u0131t\u0131m\u0131n\u0131 ama\u00e7layan \u0130talyan Konseyi (7. edisyon, 2019) program\u0131 taraf\u0131ndan destekleniyor. Gian Maria Tosatti\u2019nin g\u00fcncel sanatsal ara\u015ft\u0131rmas\u0131n\u0131n tamam\u0131n\u0131 kapsayan Kalbim Ayna Gibi Bo\u015f (\u05de\u05d9\u05d9\u05b7\u05df<\/em> \u05d4\u05d0\u05b7\u05e8\u05e5 \u05d0\u05d9\u05d6 \u05dc\u05d9\u05d9\u05d3\u05d9\u05e7 \u05d5\u05d5\u05d9 \u05d0\u05b7 \u05e9\u05e4\u05bc\u05d9\u05d2\u05dc)<\/em> adl\u0131 yeni projesinin Katanya, Riga, Cape Town ve Odessa b\u00f6l\u00fcmlerininin ard\u0131ndan gelen \u0130stanbul B\u00f6l\u00fcm\u00fc<\/em>\u2019n\u00fcn k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Devrim Kadirbeyo\u011flu ve Antonello Tolve \u00fcstleniyor. \u0130stanbul\u2019un son 20 y\u0131lda ge\u00e7irdi\u011fi d\u00f6n\u00fc\u015f\u00fcme odaklanan ve Tarlaba\u015f\u0131\u2019n\u0131n ortas\u0131nda yer alan b\u00fcy\u00fck bir Art Nouveau binan\u0131n i\u00e7inde kurulan Kalbim Ayna Gibi Bo\u015f \u2013 \u0130stanbul B\u00f6l\u00fcm\u00fc<\/em> ba\u015fl\u0131kl\u0131 enstalasyon sergisi, 24 May\u0131s – 25 Haziran 2021 tarihleri aras\u0131nda ziyaret edilebilecek.<\/strong><\/h1>\n

Kalbim Ayna Gibi Bo\u015f<\/em><\/strong> (\u05de\u05d9\u05d9\u05b7\u05df<\/em> \u05d4\u05d0\u05b7\u05e8\u05e5 \u05d0\u05d9\u05d6 \u05dc\u05d9\u05d9\u05d3\u05d9\u05e7 \u05d5\u05d5\u05d9 \u05d0\u05b7 \u05e9\u05e4\u05bc\u05d9\u05d2\u05dc)<\/em>, Gian Maria Tosatti<\/strong>\u2019nin g\u00fcncel sanatsal ara\u015ft\u0131rmas\u0131n\u0131n tamam\u0131n\u0131 kapsayan bir proje. Tosatti<\/strong>\u2019nin ara\u015ft\u0131rma oda\u011f\u0131nda demokrasi krizi<\/strong> ve bunu takiben Perikles d\u00f6nemi<\/strong>nde Atina\u2019da<\/strong> do\u011fan Bat\u0131 Medeniyeti\u2019nin<\/strong> giderek silinmeye ba\u015flamas\u0131 yer al\u0131yor. Sanat\u00e7\u0131 2018\u2019de ba\u015flad\u0131\u011f\u0131<\/strong> yolculu\u011funda, \u00e7a\u011f\u0131n karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 sergilemek i\u00e7in bir\u00e7ok \u015fehir ve \u00fclkeyi dola\u015ft\u0131. Bu s\u00fcrecin bir par\u00e7as\u0131 olarak \u00fcretti\u011fi her yap\u0131t, r\u00fcya, kehanet<\/strong> ve \"\"ger\u00e7ekli\u011fin birbirinden ay\u0131rt edilemedi\u011fi<\/strong> g\u00f6rsel bir roman\u0131n b\u00f6l\u00fcmlerini olu\u015fturuyor.<\/p>\n

Gian Maria Tosatti<\/strong>, projesinin Katanya, Riga, Cape Town<\/strong> ve Odessa<\/strong> b\u00f6l\u00fcmlerininin ard\u0131ndan gelen \u0130stanbul B\u00f6l\u00fcm\u00fc<\/em><\/strong>\u2019n\u00fc b\u00f6lgede y\u00fcr\u00fctt\u00fc\u011f\u00fc 5 y\u0131l s\u00fcren ara\u015ft\u0131rmalar\u0131<\/strong> sonucunda geli\u015ftirdi. Bu yolculukta toplad\u0131\u011f\u0131 bir\u00e7ok ipucu bir araya getirilerek g\u00fc\u00e7l\u00fc bir g\u00f6rsel hik\u00e2yeye d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc.<\/strong><\/p>\n

\u0130stanbul, son 20 y\u0131lda<\/strong> Avrupa\u2019n\u0131n en etkileyici ekonomik b\u00fcy\u00fcmelerinden birini g\u00f6rd\u00fc. S\u00fcrekli hareket halinde olan \u015fehre, birka\u00e7 sene i\u00e7inde y\u00fczlerce g\u00f6kdelen ve bir\u00e7ok finansal b\u00f6lge in\u015fa edildi. Geni\u015f beton alanlarla kaplanan ve tarihi semtler \u00fczerinde y\u00fckselen yatay<\/strong> ve dikey<\/strong> d\u00fczlemdeki \u00e7arp\u0131c\u0131 b\u00fcy\u00fcmenin \u00f6tesinde, eml\u00e2k spek\u00fclasyonu araziyi kemiren<\/strong> ve i\u00e7inde ya\u015fayan topluluklar\u0131 b\u00f6len bir etki yaratt\u0131. Yeni evler<\/strong> ve yeni i\u015f yerleri<\/strong>, gitgide daha fazla \u015fehrin \u00e7eperlerine itilen eski mahalle sakinleri i\u00e7in \u00e7ok pahal\u0131. Camdan ve \u00e7elikten, d\u00f6kme demir ve mermerden yap\u0131lan yeni \u0130stanbul, hayalet bir \u015fehir. Yeni binalar \u00e7o\u011fald\u0131k\u00e7a eski mahalleler y\u00fczlerce y\u0131ll\u0131k ge\u00e7mi\u015fleriyle birlikte tarihe kar\u0131\u015f\u0131yor. \u00c7o\u011funlukla K\u00fcrtlerin ya\u015fad\u0131\u011f\u0131 bir b\u00f6lge olan Tarlaba\u015f\u0131 ise uzun zaman \u00f6nce \u00f6l\u00fcm ferman\u0131 imzalanm\u0131\u015f bir semt. Tarlaba\u015f\u0131 her k\u00f6\u015fede ko\u015fturup oynayan \u00e7ocuklar\u0131yla \u015fehrin en ya\u015fam dolu b\u00f6lgelerinden biri. Napoli\u2019nin sava\u015f sonras\u0131 d\u00f6nemine olduk\u00e7a benzeyen bu b\u00f6lge, her g\u00fcn yeni bir \u015fehir ve toplum fikri sunmaya devam ediyor. Buradaki y\u0131k\u0131m\u0131n kademeli ilerleyi\u015fini ve s\u0131n\u0131rlar\u0131n\u0131 takip etmek, son 20 y\u0131lda \u00fclkede<\/strong> ger\u00e7ekle\u015fen de\u011fi\u015fimi g\u00f6zlemleyebilmek i\u00e7in de\u00a0 imkan sa\u011fl\u0131yor.<\/p>\n

Sanat\u00e7\u0131 yap\u0131m s\u00fcrecinden<\/strong>, \u201cEkibimle birlikte Tarlaba\u015f\u0131\u2019nda ya\u015famak hepimiz i\u00e7in \u00e7ok g\u00fc\u00e7l\u00fc ve sanc\u0131l\u0131 bir deneyim,\u201d <\/em>diye bahsediyor. \u201cKayan bir y\u0131ld\u0131z\u0131 izlemek gibi. Enstalasyonu kurdu\u011fumuz bina sanki bir g\u00f6zlem evi ve onun sundu\u011fu ayr\u0131cal\u0131k sayesinde bu y\u0131ld\u0131z\u0131n son \u0131\u015f\u0131klar\u0131n\u0131 g\u00f6r\u00fcyor gibiyiz. Yapt\u0131\u011f\u0131m\u0131z bu \u00e7al\u0131\u015fmayla \u015fiirin g\u00f6z\u00fc kara ya\u015fam g\u00fcc\u00fc, \u00f6n\u00fcm\u00fczde b\u00fcy\u00fcmekte olan \u00e7\u00f6le kar\u015f\u0131 bir z\u0131tl\u0131k yarat\u0131yor.\u201d <\/em>Enstalasyon Tarlaba\u015f\u0131\u2019n\u0131n ortas\u0131nda yer alan b\u00fcy\u00fck bir Art Nouveau binan\u0131n i\u00e7inde kuruluyor. Binada ya\u015fayan tek ki\u015fi, sa\u011f\u0131r bir k\u0131zd\u0131r ve ziyaret\u00e7iler i\u00e7eri girdiklerinde bu zamand\u0131\u015f\u0131 yerde, b\u00fct\u00fcn d\u00fcnyas\u0131n\u0131, evini ku\u015fatan kapitalizmin g\u00fcr\u00fclt\u00fcs\u00fcn\u00fc duymaks\u0131z\u0131n kendi ba\u015f\u0131n\u0131n \u00e7aresine bakmay\u0131 \u00f6\u011frenmi\u015f birinin basit ya\u015fant\u0131s\u0131yla kar\u015f\u0131la\u015f\u0131rlar. Bu k\u0131z g\u00fcr\u00fclt\u00fcy\u00fc duymuyor olmas\u0131na ra\u011fmen, d\u0131\u015far\u0131da g\u00fcmb\u00fcrdeyen tehdidi, etraf\u0131ndaki camlar\u0131n titremesiyle hissetmektedir. B\u00fct\u00fcn camlar \u00e7atlam\u0131\u015ft\u0131r ve pencerenin yan\u0131nda eski bir gramofon vard\u0131r. K\u0131z, gramofonun sesindeki uyumlu titre\u015fimlere, d\u0131\u015far\u0131daki matkap ve kaz\u0131 aletlerinin \u00f6fkesini dindirecek bir t\u00fcr dua gibi tutunmaktad\u0131r.<\/p>\n

\u0130stanbul B\u00f6l\u00fcm\u00fc<\/em><\/strong>, Kalbim Ayna Gibi Bo\u015f <\/em><\/strong>projesinin iki par\u00e7as\u0131ndan biri olan Diptych of the Trauma (Travman\u0131n Dipti\u011fi) <\/em>projesinin ikinci b\u00f6l\u00fcm\u00fcn\u00fc olu\u015fturuyor. \u0130kinci par\u00e7ay\u0131 olu\u015fturan Odessa B\u00f6l\u00fcm\u00fc<\/em> Aral\u0131k 2020\u2019de, Kateryna Filyuk ve Alessandra Troncone k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde ve Izolyatsia Platform for Cultural Initiatives <\/strong>(K\u00fclt\u00fcrel Giri\u015fimler i\u00e7in Izolyatsia Platformu) i\u015fbirli\u011fiyle The Blank Contemporary Art <\/strong>taraf\u0131ndan sunuldu.<\/p>\n

Gian Maria Tosatti<\/strong>\u2019nin Kalbim Ayna Gibi Bo\u015f \u2013 \u0130stanbul B\u00f6l\u00fcm\u00fc<\/em> <\/strong>ba\u015fl\u0131kl\u0131 enstalasyon sergisi 24 May\u0131s – 25 Haziran 2021 <\/strong>tarihlerinde 15.00-19.00<\/strong> saatleri aras\u0131nda, Tarlaba\u015f\u0131\u2019nda \u00d6mer Hayyam Cad. No: 11 <\/strong>adresinde ziyaret edilebilecek. Ziyaret\u00e7ilerin alana teker teker al\u0131naca\u011f\u0131 sergiyi gezme s\u00fcresi 20 dakika olacak.<\/p>\n

GIAN MARIA TOSATTI K\u0130MD\u0130R?<\/strong><\/h2>\n

\u0130talyan bir g\u00f6rsel sanat\u00e7\u0131 olan Gian Maria Tosatti (Roma, 1980)<\/strong>, projelerinde politik bir bak\u0131\u015f a\u00e7\u0131s\u0131ndan spirit\u00fcele uzanan bir yakla\u015f\u0131mla, kimlik kavram\u0131yla ili\u015fkilenen spesifik konular<\/strong> \u00fczerine uzun s\u00fcreli ara\u015ft\u0131rmalar yap\u0131yor. Belirli bir b\u00f6lgeye \u00f6zel, b\u00fcy\u00fck \u00e7apl\u0131 yerle\u015ftirmeleri kapsayan i\u015flerinde bir binan\u0131n tamam\u0131n\u0131 veya kentsel alanlar\u0131 kullan\u0131yor. Sanat\u00e7\u0131, \u00e7al\u0131\u015ft\u0131\u011f\u0131 b\u00f6lgelerde ya\u015fayan topluluklar\u0131<\/strong> da \u00e7al\u0131\u015fmalar\u0131na dahil ediyor.<\/p>\n

Tosatti, 2015 y\u0131l\u0131nda ArtReview<\/em> taraf\u0131ndan yap\u0131lan kendi jenerasyonunun en ilgin\u00e7 30 sanat\u00e7\u0131s\u0131<\/strong> listesinde yer ald\u0131 (Future Greats). <\/em>2014\u2019te uluslararas\u0131 Domus <\/em>dergisi, sanat\u00e7\u0131n\u0131n My dreams, they\u2019ll never surrender (Hayallerim, asla teslim olmayacak) <\/em>yerle\u015ftirmesini o y\u0131l d\u00fcnyada yap\u0131lan en iyi 10 sergiden biri<\/strong> olarak se\u00e7ti.<\/p>\n

Ayn\u0131 zamanda bir gazeteci olan Tosatti, Corriere della Sera\u2019da ve Opera Viva dergisinde sanat ve siyaset \u00fczerine k\u00f6\u015fe yaz\u0131lar\u0131 yaz\u0131yor. \u0130\u015fleri, Hessel Museum of Art, CCS BARD (New York – 2014), Museo Madre (Napoli – 2016), The Lower Manhattan Cultural Council (New York – 2011), Galleria Nazionale (Roma – 2017), Petach Tikva Museum of Art (Petach Tikva – 2017), Museo Archeologico di Salerno (Salerno – 2014), American Academy in Rome (Roma \u2013 2013) gibi yerlerde sergilendi.<\/p>\n

Bilgi i\u00e7in:<\/strong> \u00a0\u00a0\u00a0 myheartisavoid.com<\/a>\u00a0– depoistanbul.net<\/p>\n

Tel:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>+90 212 2923956 – 57<\/p>\n

Adres:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>\u00d6mer Hayyam Cad. 11 Beyo\u011flu\/\u0130stanbul<\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. 2015 y\u0131l\u0131nda ArtReview taraf\u0131ndan, kendi jenerasyonunun en ilgin\u00e7 30 sanat\u00e7\u0131s\u0131 aras\u0131nda g\u00f6sterilen Gian Maria Tosatti\u2019nin \u041c\u043e\u0454 \u0441\u0435\u0440\u0446\u0435 \u043f\u0443\u0441\u0442\u0435, \u044f\u043a \u0434\u0437\u0435\u0440\u043a\u0430\u043b\u043e – \u043e\u0434\u0435\u0441\u044c\u043a\u0438\u0439 […]<\/p>\n","protected":false},"author":1,"featured_media":135098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[53,4],"tags":[90586,90584,90580,90583,90585,90579,90578,90588,90582,90587,90581],"views":228,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/135096"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=135096"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/135096\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/135098"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=135096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=135096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=135096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}