{"id":116569,"date":"2020-07-07T14:30:49","date_gmt":"2020-07-07T11:30:49","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=116569"},"modified":"2020-07-07T14:30:49","modified_gmt":"2020-07-07T11:30:49","slug":"inceleme-tarihe-gecen-buyuk-besteciler-vbky-de","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de\/","title":{"rendered":"(Turkish) \u0130nceleme: Tarihe Ge\u00e7en &#8216;B\u00fcy\u00fck Besteciler&#8217; VBKY\u2019de!"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"https:\/\/www.enerjigazetesi.ist\/tr\/wp-json\/wp\/v2\/posts\/116569\" class=\"qtranxs-available-language-link qtranxs-available-language-link-tr\" title=\"Turkish\">Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p><p><\/p>\n<h1><strong>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131, Pulitzer \u00f6d\u00fcll\u00fc m\u00fczik ele\u015ftirmeni Harold C. Schonberg\u2019in yazd\u0131\u011f\u0131 \u201cB\u00fcy\u00fck Besteciler\u201d isimli eseri okurla bulu\u015fturuyor. Kitapta Mozart\u2019tan Beethoven\u2019a, Wagner\u2019den Chopin\u2019e dek m\u00fczik tarihine damgas\u0131n\u0131 vuran onlarca s\u0131ra d\u0131\u015f\u0131 besteci ve \u00e7al\u0131\u015fmalar\u0131 anlat\u0131l\u0131yor.<img loading=\"lazy\" class=\"alignright wp-image-116572\" src=\"https:\/\/www.enerjigazetesi.ist\/wp-content\/uploads\/2020\/07\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de-1.jpg\" alt=\"\" width=\"320\" height=\"335\" srcset=\"https:\/\/www.enerjigazetesi.ist\/wp-content\/uploads\/2020\/07\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de-1.jpg 466w, https:\/\/www.enerjigazetesi.ist\/wp-content\/uploads\/2020\/07\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de-1-286x300.jpg 286w, https:\/\/www.enerjigazetesi.ist\/wp-content\/uploads\/2020\/07\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de-1-382x400.jpg 382w, https:\/\/www.enerjigazetesi.ist\/wp-content\/uploads\/2020\/07\/inceleme-tarihe-gecen-buyuk-besteciler-vbky-de-1-48x50.jpg 48w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/strong><\/h1>\n<p><strong>Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131\u2019n\u0131n (VBKY)<\/strong> yay\u0131mlad\u0131\u011f\u0131 <strong>\u201cB\u00fcy\u00fck Besteciler\u201d<\/strong>, ad\u0131n\u0131 m\u00fczik tarihe alt\u0131n harflerle yazd\u0131ran bestecileri s\u0131ral\u0131yor. Eserlerinin \u00f6yk\u00fcs\u00fc ve ya\u015famlar\u0131n\u0131n detaylar\u0131n\u0131 okura sunan kitapta; <strong>Wolfgang Amadeus Mozart, Joseph Haydn, Richard Wagner, Pyotr \u0130lyi\u00e7 \u00c7aykovski, Ludwig van Beethoven, Richard Strauss<\/strong> ve <strong>Fr\u00e9d\u00e9ric Chopin<\/strong> gibi onlarca sanat\u00e7\u0131 g\u00f6rselleriyle birlikte yer al\u0131yor.<\/p>\n<p><strong>New York Times<\/strong> yazar\u0131 ve <strong>Pulitzer Ele\u015ftiri \u00d6d\u00fcl\u00fc<\/strong> sahibi <strong>Harold C. Schonberg<\/strong> kitab\u0131nda kimi k\u00fc\u00e7\u00fck ya\u015fta \u015f\u00f6hreti yakalayan, kimi milyonlar kazanan; bir ba\u015fkas\u0131 en iyi bestelerini sa\u011f\u0131rken ortaya koyan, bir di\u011feri \u00e7al\u0131\u015fmalar\u0131yla <strong>m\u00fczik tarihini k\u00f6kten de\u011fi\u015ftiren<\/strong> bestecilerin hik\u00e2yelerini sunuyor.<\/p>\n<h2><strong>M\u00fczi\u011fin alt\u0131n \u00e7ocu\u011fu Mozart (1756-1791)<\/strong><\/h2>\n<p>Hen\u00fcz<strong> 3 ya\u015f\u0131ndayken<\/strong> piyanoda sesleri ay\u0131rt edebilen Avusturyal\u0131 <strong>Wolfgang Amadeus Mozart<\/strong>, be\u015f ya\u015f\u0131nda yar\u0131m saat i\u00e7inde bir <strong>m\u00fczik par\u00e7as\u0131<\/strong> \u00f6\u011frenirdi. 6 ya\u015f\u0131na geldi\u011finde ise beste yapmaya ba\u015flad\u0131. Avrupa saraylar\u0131na, m\u00fczik akademilerine konser verdi, herkesi kendisine hayran b\u0131rakt\u0131. 35 y\u0131ll\u0131k \u00f6mr\u00fcne Figaro\u2019nun D\u00fc\u011f\u00fcn\u00fc, Saraydan K\u0131z Ka\u00e7\u0131rma, Klarnet Be\u015flisi, Requiem ve T\u00fcrk Mar\u015f\u0131\u2019yla birlikte y\u00fczlerce eser s\u0131\u011fd\u0131ran Mozart, m\u00fczik tarihinin belki de <strong>en \u00e7ok s\u00f6m\u00fcr\u00fclen harika \u00e7ocuklar\u0131ndan<\/strong> biridir.<\/p>\n<h2><strong>Krallardan \u00fcst\u00fcn Beethoven (1770-1827)<\/strong><\/h2>\n<p>Alman dahi m\u00fczisyen <strong>Ludwig van Beethoven<\/strong>\u2019a g\u00f6re kendisi bir sanat\u00e7\u0131yd\u0131 ve bir sanat\u00e7\u0131 krallar ile soylulardan \u00fcst\u00fcnd\u00fc. Bunu m\u00fczik tarihinde ilk kez dile getiren Beethoven, sanat\u00e7\u0131 haklar\u0131n\u0131 savunurdu, bu durumun da o g\u00fcne dek bir benzeri yoktu. Nedeni tam olarak bilinmemekle birlikte<strong> 1817\u2019de<\/strong> tamamen sa\u011f\u0131r olan Beethoven, m\u00fczik tarihinin zirvesi say\u0131lan<strong> 9. Senfoni\u2019yi<\/strong> 1824\u2019te dinleyiciyle bulu\u015fturdu. <strong>En iyi eserlerini sa\u011f\u0131rken<\/strong> yazd\u0131.<\/p>\n<h2><strong>Piyanoya yeni soluk getiren Chopin (1810-1849)<\/strong><\/h2>\n<p>Tarihin en b\u00fcy\u00fck piyanistlerinden Polonyal\u0131 aristokrat Fr\u00e9d\u00e9ric Chopin, meslekta\u015flar\u0131ndan farkl\u0131yd\u0131. Onlar\u0131n <strong>ini\u015f ve \u00e7\u0131k\u0131\u015flar\u0131<\/strong> oldu ama <strong>Chopin<\/strong> durmadan ilerledi. Bamba\u015fka bir \u00fcslup yaratt\u0131, piyanoyu eksiksiz bir \u00e7alg\u0131 haline getirdi. <strong>Pedal ve parmak kullanma<\/strong> ile <strong>ritim ve renk kayna\u011f\u0131<\/strong> konusunda Chopin\u2019in <strong>icat etti\u011fi yepyeni fikirler<\/strong>, piyano literat\u00fcr\u00fcn\u00fc belirledi.<\/p>\n<h2><strong>Evde pek m\u00fczik dinlemeyen Verdi (1813-1901)<\/strong><\/h2>\n<p>\u0130talyan opera devi <strong>Giuseppe Verdi<\/strong>, ya\u015fam\u0131 boyunca \u00e7ok b\u00fcy\u00fck bir ticari ba\u015far\u0131ya ula\u015ft\u0131 ve hi\u00e7bir zaman bilgili bir m\u00fczisyen olma iddias\u0131nda bulunmad\u0131. Verdi, <strong>1869 tarihli mektubu<\/strong>nda konuyla ilgili olarak \u015funlar\u0131 kaleme ald\u0131: \u201cEvimde pek m\u00fczik olmaz. Bir eseri incelemek i\u00e7in bir yay\u0131nc\u0131ya, bir m\u00fczik k\u00fct\u00fcphanesine hi\u00e7 gitmedim. <strong>\u0130yi \u00e7a\u011fda\u015f eserler<\/strong>in baz\u0131lar\u0131ndan, ara\u015ft\u0131rarak de\u011fil, arada <strong>bir tiyatroda dinleyerek<\/strong> haberdar olurum\u2026\u201d<\/p>\n<h2><strong>Medyan\u0131n g\u00f6z bebe\u011fi Strauss (1864-1949)<\/strong><\/h2>\n<p>Alman besteci ve opera \u015fefi <strong>Richard Strauss<\/strong>, medyan\u0131n adeta g\u00f6z bebe\u011fi olarak konumland\u0131r\u0131ld\u0131. Strauss taraf\u0131ndan yap\u0131lan her beste, <strong>d\u00fcnya bas\u0131n\u0131nda<\/strong> an\u0131nda haber oldu. \u00c7ok b\u00fcy\u00fck paralar kazanan <strong>Strauss<\/strong>, baz\u0131lar\u0131na g\u00f6re paradan ba\u015fka bir \u015fey d\u00fc\u015f\u00fcnmeyen bir m\u00fczisyendi. \u00d6yle ki, bir g\u00fcn o\u011flu, <strong>\u201cBaba prova i\u00e7in ne kadar para ald\u0131n?\u201d<\/strong> diye sorunca, sevin\u00e7le g\u00f6zleri dolan <strong>Strauss\u2019\u0131n<\/strong> o\u011flunu ba\u011fr\u0131na basarak, <strong>\u201cArt\u0131k ger\u00e7ek o\u011flum oldu\u011funu biliyorum\u201d<\/strong> dedi\u011fi rivayet edilir.<\/p>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Vak\u0131fBank K\u00fclt\u00fcr Yay\u0131nlar\u0131, Pulitzer \u00f6d\u00fcll\u00fc m\u00fczik ele\u015ftirmeni Harold C. Schonberg\u2019in yazd\u0131\u011f\u0131 \u201cB\u00fcy\u00fck Besteciler\u201d isimli eseri okurla bulu\u015fturuyor. Kitapta Mozart\u2019tan Beethoven\u2019a, Wagner\u2019den Chopin\u2019e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":116573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[51,53],"tags":[75323,75309,75307,75310,75319,75322,75306,75314,75317,75308,75311,75320,75321,75316,75318,75315,75312,75324,74355,74360,75325,13438,75313],"views":100,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/116569"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=116569"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/116569\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/116573"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=116569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=116569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=116569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}