{"id":102312,"date":"2019-11-05T18:40:12","date_gmt":"2019-11-05T15:40:12","guid":{"rendered":"https:\/\/www.enerjigazetesi.ist\/?p=102312"},"modified":"2019-11-05T19:01:47","modified_gmt":"2019-11-05T16:01:47","slug":"gunesin-neon-isiklariyla-sarayda-tango-firtinasi","status":"publish","type":"post","link":"https:\/\/www.enerjigazetesi.ist\/en\/gunesin-neon-isiklariyla-sarayda-tango-firtinasi\/","title":{"rendered":"(Turkish) S\u0131rad\u0131\u015f\u0131 G\u00fcndem: G\u00fcne\u015f’in Neon I\u015f\u0131klar\u0131yla Sarayda Tango F\u0131rt\u0131nas\u0131"},"content":{"rendered":"

Sorry, this entry is only available in Turkish<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>

HABABAM SINIFI <\/strong>DUAYENLERLE VE DOSTLARLA \u00a0TANGODA<\/strong><\/p>\n

“M\u0130LONGA KARDE\u015eL\u0130\u011e\u0130 ”\u00a0<\/strong>H.Cigdem YORGANCIOGLU\u2019nun <\/strong><\/p>\n

(Tangoda Dostlukk,Karde\u015flik ve Bar\u0131\u015fseverlik Projesi)<\/p>\n

Dans esnas\u0131nda\u00a0 fig\u00fcrlerin ifade unsurlar\u0131 aras\u0131ndaki ili\u015fkinin d\u00f6ng\u00fcsel formunu\u00a0 kavram\u0131\u015f bir zihne bedenii uydururken her bir tandada kurulan c\u00fcmle \u00f6\u011felerinin \u00e7aprazlama yerle\u015ftirilmesiyle dengelendi\u011fi retorikte bir virg\u00fcl ke\u015ffetmektir bazen hayat. \u00c7i\u011fdem Yorgancioglu \u00a0\u20132019 \u2013 Dolunay ve Tango Esintileri<\/em><\/strong><\/p>\n

\"\"

Fotograf :Cigdem Yorgancioglu<\/p><\/div>\n

2018 senesi Aral\u0131k ay\u0131nda ba\u015fta Pekin \u00dcniversitesi ve Guangzhou Belediyesi\u2019nin davetlisi olarak gitti\u011fi\u00a0 \u00c7in\u2019in Guangzhou \u015fehrinde tango\u2019nun d\u00fcnya bar\u0131\u015f\u0131 ve dostluklar \u00fczerindeki olumlu etkiler yaratma potansiyeli ve dinamiklerine ili\u015fkin Uluslararas\u0131 akademisyen ve sanat\u00e7\u0131lar\u0131n kat\u0131ld\u0131\u011f\u0131 etkinlikte T\u00fcrkiye\u2019yi temsilen \u00c7in, yerel ve ulusal TV kanallar\u0131nda naklen ve tekrar\u0131 banttan yay\u0131nlanan bir akademik sunum yapan ENERJ\u0130 GAZETES\u0130 k\u0131demli yazar ve edit\u00f6r\u00fc ekonomist sanat\u00e7\u0131 Cigdem Yorgancioglu projesinin ikinci b\u00f6l\u00fcm\u00fcyle tangoyu T\u00fcrkiyedeki Arjantin dans\u0131n\u0131n duayen ve hocalar\u0131yla M\u0130LONGA KARDE\u015eL\u0130\u011e\u0130 konseptiyle saraya ta\u015f\u0131d\u0131.<\/p>\n

Ben Hicran Ci\u011fdem Yorganc\u0131oglu, Proeye \u00f6nce akademik ve sanatsal bir kat\u0131l\u0131mla \u00c7in\u2019de ba\u015flay\u0131p\u00a0 ger\u00e7ekle\u015ftirmis ve tangoda dostluklar\u0131n \u00f6nemi projesinin ilk aya\u011f\u0131n\u0131 olu\u015fturmustum. Taraf\u0131ma ait olan \u00e7al\u0131\u015fma tango \u00fczerine yaz\u0131lm\u0131\u015f \u0130ngilizce bir \u015firin ayn\u0131 zamanda \u00c7inceye \u00e7evrilmesi i\u00e7in de vesile olmu\u015ftu. S\u0131ra 2’inciye gelmi\u015fti.<\/p>\n

Tango, dokunman\u0131n ve dokunakl\u0131l\u0131\u011f\u0131n di\u011fer ad\u0131 m\u00fczik e\u015fli\u011finde zerafet i\u00e7inde an\u2019da varolman\u0131n ve bir ba\u015fka canl\u0131yla uyum sa\u011flaman\u0131n b\u00fcy\u00fcs\u00fc. Bir seneyi hen\u00fcz yeni a\u015fm\u0131\u015f olan ve dans\u0131 \u00f6\u011frenme ve geli\u015ftirme \u00e7abalar\u0131 i\u00e7inde bulundu\u011fum turfanda\u00a0 tango dans\u0131 yolculu\u011fumda, daha ba\u015flar ba\u015flamaz tangonun bir hobi de\u011fil ya\u015fam tarz\u0131 oldu\u011funu anlamam; insan\u0131 her ge\u00e7en g\u00fcn daha da i\u00e7ine \u00e7eken b\u00fcy\u00fcl\u00fc ve ahenk yakalama aray\u0131\u015f\u0131ndaki d\u00fcnya \u00fczerine daha fazla d\u00fc\u015f\u00fcnmem ve e\u011filmem konusunda te\u015fvik edici oldu. Sonras\u0131nda da ben de tutkunun \u00f6tesine ge\u00e7en, bili\u015fsel olarak insan\u0131n ya\u015fam\u0131 alamland\u0131rma ser\u00fcveninde, tango sayesinde\u00a0 topluma da nas\u0131l faydalar \u00e7\u0131kar\u0131labilece\u011fine y\u00f6nelik sorular\u0131n cevaplar\u0131n\u0131 arama konusunda bir istek yaratt\u0131.<\/p>\n

Daha ba\u015flar ba\u015flamaz milongalarda oturdu\u011fum tandalar boyunca v\u00fccut ve ayak\u00a0 hareketleri, alt beden ve \u00fcst beden, denge, post\u00fcr ve mimikler benzeri g\u00f6zlemleri esnas\u0131nda genel hareket gecikmelerinin m\u00fczi\u011fi dinlememekten mi yoksa ki\u015finin fiziksel noksanl\u0131klar\u0131ndan ya da aksesuarlar\u0131ndan m\u0131 kaynakland\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcn\u00fcrken genel hareket genli\u011fi ve h\u0131z\u0131 ve eklem spesifik genli\u011fi konusunda da hayli kafa yormaya ba\u015flam\u0131\u015ft\u0131m. Sonra uyumlu \u00e7iftlerin uyumundaki nedenleri anlamaya \u00e7al\u0131\u015f\u0131rken uyumsuz olanlarda liderler takip\u00e7ilerden hangisinin daha az teredd\u00fctl\u00fc ve sars\u0131nt\u0131l\u0131 hareketler yapt\u0131klar\u0131na odakland\u0131m bir s\u00fcre. Alt ve \u00fcst beden dahil t\u00fcm v\u00fccut hareketlerinden elde edilebilecek ipu\u00e7lar\u0131na konsantre olunca bamba\u015fka d\u00fcnyalara a\u00e7\u0131ld\u0131m. Tango tam bir i\u015fbirlik\u011fine dayal\u0131 dans do\u011fa\u00e7lamas\u0131nda\u00a0 koordinasyon paternlerinin yani \u00f6r\u00fcnt\u00fclerinin analizini koymaktayd\u0131 \u00f6n\u00fcme. Tango yaparken \u00e7iftlerden herhangi biri kendi kabu\u011funa \u00e7ekilirse di\u011fer taraf bunu hissediyordu ve dans\u0131n enerjisi de\u011fi\u015fir. Bir s\u00fcrede at binicili\u011fi ve tango aras\u0131ndaki benzerliklere yordum zihnimi. Sonra Posterior d\u00fczensizliklerden kaynakl\u0131 hareketleri tam yapamama, ad\u0131m uzunluklar\u0131 oran\u0131n\u0131, kal\u00e7a ve dizden kaynakl\u0131 hareket eksikliklerinin giderilmesine y\u00f6nelik dans\u0131n devam etmesi i\u00e7in ne t\u00fcr mekanik avantajlar yarat\u0131labilece\u011fi ve yeni teknoloilerin bu durumlara nas\u0131l \u00e7\u00f6z\u00fcmler getirebilece\u011fi gibi pe \u00e7ok mevzuya y\u00f6nelik d\u00fc\u015f\u00fcnmenin yan\u0131s\u0131ra okumalara ve literat\u00fcr incelemeye ba\u015flam\u0131\u015ft\u0131m bile. Fakat en \u00f6nemli konu tangonun insana ve insan ili\u015fkilerine iyi gelen bir yan\u0131 vard\u0131 ve onun flu halden \u00f6n plana \u00e7\u0131kar\u0131lmas\u0131 gerekiyordu fikrimce.Tango kelimesi dokunmaktan gelir. Temas tangonun temelidir. Dans\u00e7\u0131n\u0131n kendisiyle, e\u015fiyle ve m\u00fczikle temas\u0131. Ve bu temas s\u0131ras\u0131nda\u00a0 hareket \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc hiissedin .Do\u011fa\u00e7laman\u0131n b\u00fcy\u00fcs\u00fc bu . M\u00fczikten, birbirinden ve andan beslenen duygular\u0131 deneyimleyerek ve payla\u015farak derinle\u015fmeyi hayal edin.\u00a0 \u0130lham al\u0131n. \u201cDinlemek ve beklemek, tango tutkusunun size kazand\u0131raca\u011f\u0131 en \u00f6nemli ileti\u015fim yetkinli\u011fi ve duyarl\u0131l\u0131\u011f\u0131. \u0130nsan g\u00fczel bir yolda iyi hedeflere ula\u015fmak konusunda hic bir zaman menzile kendi kendine ulasamaz. Konusu dostluk olan bir yolda, hep dostlarla birlikte hareket etmek,kararl\u0131 ,insana ve cemiyete faydal\u0131\u00a0 ve guzel ad\u0131mlar atmak gerek\u201d<\/p>\n

\u201c26 Ekim g\u00fcn\u00fc T\u00fcrk tangosunun duayeni, maestro \u00c7etin Cengiz\u2019in imzas\u0131n\u0131 ta\u015f\u0131yan Tango Neon ve Milonga Maya ile tango camiam\u0131z\u0131n gen\u00e7\u00a0 e\u011fitmenlerinden ve ayn\u0131 zamanda Tormenta Tango’nun ve Milonga Tormenta\u2019n\u0131n mimar\u0131 maestro Mehmet Cemal Bayraktar ile TANGO ve M\u0130LONGA KARDE\u015eL\u0130\u011e\u0130 Konsepti \u00fczerinden varolan dostluklar\u0131m\u0131z\u0131 tango ile peki\u015ftirdik. T\u00fcrk Sinema tarihine imzas\u0131n\u0131 koymu\u015f HABABAM\u00a0 SINIFI<\/strong> filmlerinden tan\u0131d\u0131\u011f\u0131m\u0131z s\u0131n\u0131\u0131f\u0131n en \u00e7al\u0131\u015fkan\u0131 Boncuk, tango dostumuz \u00a0avukat, yard\u0131mc\u0131 y\u00f6netmen ve tango e\u011fitmeni \u00a0maestro Ergun S\u00f6zen bu projede yan\u0131m\u0131zdayd\u0131. Projeye katk\u0131 sunan t\u00fcm dostlar\u0131ma,pProje\u2019nin hayata ge\u00e7mesinde\u00a0 yay\u0131n \u00e7ekimleriyle katk\u0131 sunan BDK TV\u2019ye te\u015fekk\u00fcrlerimle\u201d<\/p>\n

\"\"

Fotograf : Proeye katk\u0131 sunan t\u00fcm dans\u00e7\u0131lar Aile Foto\u011fraf\u0131 –\u00a0 \u00a0(soldan saga)\u00a0 Irmak Koca,\u00a0\u00a0\u00a0 Deniz Yalab\u0131k- -G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu – – \u015eeyma G\u00f6k\u00e7e Cengiz- \u00c7i\u011fdem Hicran Yorgancioglu- \u00c7etin Cengiz – Bahar \u00d6zmert- -Ergun S\u00f6zen,-Mehmet Cemal Bayraktar -Duygu Altekin\u00a0 – \u00d6zcan \u00c7elen.<\/p><\/div>\n

Etkinli\u011fe dair;<\/strong> ismini Sultan\u00a0Abd\u00fclmecit’in k\u0131z karde\u015fi\u00a0Adile Sultan’dan alan sarayda, Adile Sultan Kasr\u0131\u2019nda i\u00e7 ve d\u0131\u015f mekanlarda Tango dostlu\u011fu ve sevgisi\u00a0 i\u00e7in ger\u00e7ekle\u015fen, \u00f6nce pastoral bir bahar esintisini an\u0131msatan ezgiyle insan\u0131 \u00fctopik g\u00fczel bir d\u00fcnyan\u0131n i\u00e7ine alan valsle ba\u015flay\u0131p\u00a0 sonra tango ve d\u0131\u015f mekanda milonga danslarla sonlanan etkinli\u011fe kat\u0131lan dans \u00e7iftleri;<\/span><\/p>\n

\u00c7etin Cengiz – \u015eeyma G\u00f6k\u00e7e Cengiz<\/p>\n

Ergun S\u00f6zen-Bahar \u00d6zmert<\/p>\n

Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu<\/p>\n

G\u00fcrhan \u00c7\u0131nar \u2013Gizem \u00a0Kotilo\u011flu<\/p>\n

Deniz Yalab\u0131k-Duygu Altekin<\/p>\n

\u00d6zcan \u00c7elen-\u00a0 Irmak Koca<\/p>\n

Etkinli\u011fin ger\u00e7ekle\u015fti\u011fi saray kasr\u0131, Sultan Abd\u00fclaziz k\u00f6\u015fk\u00fc y\u0131kt\u0131r\u0131p g\u00fcn\u00fcm\u00fczdeki yap\u0131y\u0131 in\u015fa ettirmesi, annesi (Pertevniyal) yani Valide Sultan’a hediye edilmesi sonras\u0131 1863 y\u0131llar\u0131nda Adile Sultan\u2019a yazl\u0131k saray olarak verildikten sonra yeni bir h\u00fcvviyet kazanm\u0131\u015f Osmanl\u0131 ve Cumhuriyet T\u00fcrk tarihinde k\u00fclt\u00fcrel ve tarihsel \u00f6nem arz etmektedir. Cumhuriyet \u00f6ncesi ve sonras\u0131nda “Valideba\u011f Kasr\u0131” y\u00e2da “Valideba\u011f Saray\u0131” ismiyle\u00a0 an\u0131lan yap\u0131ya 1933\u2019l\u00fc y\u0131llardan sonra, “Adile Sultan Kasr\u0131”” ad\u0131 verilmi\u015ftir.<\/p>\n

\"\"<\/p>\n

Bu bina T\u00fcrk sinemas\u0131n\u0131n duayenlerinden, R\u0131fat Ilgaz’\u0131n en m\u00fchim yap\u0131t\u0131\u00a0 olan, Rejis\u00f6r\u00a0 Ertem E\u011filmez taraf\u0131ndan \u00e7ekilen T\u00fcrk izleyicisi taraf\u0131ndan be\u011feni ile izlenen ve uluslararas\u0131 arenada\u00a0da ilgi \u00e7eken Hababam S\u0131n\u0131f\u0131 serisinin 1975 yap\u0131m\u0131 Hababam S\u0131n\u0131f\u0131, 1976 yap\u0131m\u0131 Hababam S\u0131n\u0131f\u0131 S\u0131n\u0131fta Kald\u0131, 1977 yap\u0131m\u0131 Hababam S\u0131n\u0131f\u0131 Uyan\u0131yor ve 1978 yap\u0131m\u0131 Hababam S\u0131n\u0131f\u0131 Tatilde flimleri nin de \u00e7ekildi\u011fi yerdir . 6A Edebiyat S\u0131n\u0131f\u0131 \u00f6n\u00fcnde \u00e7e\u015fitli \u00a0hat\u0131ra foto\u011frafar\u0131 \u00e7ekme imkan\u0131 da buldu\u011fumuz bir yer.<\/p>\n

Milonga Karde\u015fli\u011fi MAYA \u2013TANGO NEON ve TORMENTA EVENTS \u2019ya dair de Yorganc\u0131o\u011flu\u2019na sorduk ve \u015fu \u015fekilde a\u00e7\u0131klamalarda bulundu.<\/p>\n

\"\"

Foto\u011fraf : \u00c7etin Cengiz – \u015eeyma G\u00f6k\u00e7e Cengiz<\/p><\/div>\n

 <\/p>\n

\"\"

Fotograf :Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu(en solda arkada) \/\u00d6zcan \u00c7elen-\u00a0 Irmak Koca .(solda arkadaki 2inci \u00e7ift) \/Ergun S\u00f6zen-Bahar \u00d6zmert(\u00f6nde)\/G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu (arkada ortada)\u00a0 \u00c7etin Cengiz – \u015eeyma G\u00f6k\u00e7e Cengiz-(sa\u011fda ortada) Deniz Yalab\u0131k-Duygu Altekin \u00a0(en sa\u011fda)- Rondada \u00e7iftler saat y\u00f6n\u00fcn\u00fcn tersine do\u011fru dans ederek hareket etmekteler.<\/p><\/div>\n

TANGO NEON \u2013MAYA<\/strong><\/p>\n

G\u00fcne\u015fin Neon \u0131\u015f\u0131klar\u0131 parl\u0131yordu Saray\u2019da<\/p>\n

Sade T\u00fcrkiye Dans Sporlar\u0131 Federasyonu Arjantin Tango Bran\u015f\u0131nda sorumlu As Ba\u015fkanl\u0131k g\u00f6revi gibi \u00fcnvanlar\u0131yla de\u011fil 1994 ila 1999 seneleri aras\u0131nda tahsilini yurt d\u0131\u015f\u0131nda tamamlay\u0131p T\u00fcrkiye ile Arjantin Tangoyu tan\u0131\u015ft\u0131ran ilk isim olmas\u0131 ve ayn\u0131 zamanda Tangoneon ismiyle T\u00fcrkiye’nin ilk Tango okulunu kurmas\u0131, T\u00fcrkiye\u2019de ilk milonga gelene\u011fini ba\u015flatmas\u0131 ile de tan\u0131nan, sevilen ve say\u0131lan bir duayendir \u00c7etin Cengiz.\u00a0 Tango hocalar\u0131n\u0131n, hocas\u0131n\u0131n Hocas\u0131d\u0131r. Milonga, tango camias\u0131n\u0131n d\u0131\u015f\u0131nda olanlar\u0131n \u00a0tango geceleri olarak ifade etti\u011fi \u015f\u0131k bir tango bir etkinlli\u011fidir. Milonga Maya’n\u0131n organizat\u00f6r\u00fc Maestro sevilen dostumuz \u00c7etin Cengiz kendi ba\u015flatt\u0131\u011f\u0131 milonga gelene\u011fini halen devam ettirmektedir. Milonga Maya. \u0130stanbul’da tango dans\u00e7\u0131lar\u0131, yurti\u00e7i ve yurtd\u0131\u015f\u0131ndaki tango topluluklar\u0131 taraf\u0131ndan de\u011fer g\u00f6ren, her hafta d\u00fczenli olarak tertiplenilmektedir. \u0130stanbul’un enerjik, arkada\u015f canl\u0131s\u0131, misafirperver ve \u015f\u0131k milongalar\u0131ndan biridir ve her Per\u015fembe saat 21:00-01:00 aras\u0131\u00a0 Anadolu yakas\u0131nda Ba\u011fdat caddesi Suadiye\u2019de\u00a0 tangosever konuklar\u0131n\u0131, profesyonel ve sosyal dans\u00e7\u0131 misafirlerini a\u011f\u0131rlamaktad\u0131r. Yeni sezon Arjantin Tango derslerinin bir k\u0131sm\u0131 bu mekanda devam ederken okul gerek grup ve \u00f6zel derslerde gerekse pratiklerde G\u00f6ztepe\u2019de faaliyetlerini s\u00fcrd\u00fcrmektedir.<\/p>\n

Cumhuriyet Bayram\u0131na g\u00fcnler kala Ata\u2019y\u0131 da arkas\u0131na sevgili k\u0131z\u0131 \u015eeyma G\u00f6k\u00e7e ile birlikte yapt\u0131\u011f\u0131 dansta arkas\u0131na alan \u00c7etin Cengiz \u2018in sevgili e\u015fi Deniz ile birlikte ,o\u011flu biricik Ata\u2019s\u0131n\u0131n da aram\u0131zda oldu\u011funu bu vesileyle etkinli\u011fimizin ayn\u0131 zamanda mini bir Cumhuriyet Balosuna da d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc s\u00f6ylemek ho\u015f bir seda b\u0131rak\u0131r haf\u0131zalar\u0131m\u0131zda.<\/p>\n

\"\"

Fotograf : (soldan sa\u011fa) \u00c7etin Cengiz \u015eeyma G\u00f6k\u00e7e Deniz \/\u00c7i\u011fdem Yorganc\u0131o\u011flu- Mehmet Cemal Bayraktar<\/p><\/div>\n

 <\/p>\n

\"\"

Fotograf:Cigdem Hicran Yorgancioglu- Mehmet Cemal Bayraktar<\/p><\/div>\n

TORMENTA<\/strong><\/p>\n

Tormenta yani \u201cf\u0131rt\u0131na\u201d da Saray\u2019da f\u0131rt\u0131na gibi esti.<\/p>\n

Bu etkinli\u011fe \u00f6zel olarak dans partnerim olan ve hen\u00fcz kendimi acemi dans\u00e7\u0131 olarak g\u00f6rd\u00fc\u011f\u00fcm bu ser\u00fcvede b\u00fct\u00fcn dans kusurlar\u0131m\u0131 kapatan gen\u00e7 ve sevilen dostumuz Mehmet Cemal Bayraktar, Tango Tormenta etkinliklerinin mimar\u0131, k\u0131demli tango \u00f6\u011fretmeni ve\u00a0 ayn\u0131 isimle an\u0131lan tangonun her nevi stil ve renklerine a\u00e7\u0131k olan ge\u00e7ti\u011fimiz hafta birinci y\u0131ld\u00f6n\u00fcm\u00fcn\u00fc her zaman oldu\u011fu gibi \u201cbirlikte g\u00fczeliz\u201d slogan\u0131yla kutlayan “Milonga TormentA” n\u0131n organizat\u00f6r\u00fcd\u00fcr. \u00dcniversiteler ile i\u015fbirlikleri ile de bilinen Tormenta\u2019n\u0131n d\u00fczenledi\u011fi bu etkinlik, ayda iki kez d\u00fczenli olarak Anadolu yakas\u0131nda Caddebostan\u2019da Sahil\u2019deki\u00a0 yerinde saat 21:00-01:00<\/strong> aras\u0131 tertiplenmekte ve tangoseverlerle bulu\u015fmaktad\u0131r. (Pazartesi g\u00fcnleri iki haftada birdir). \u0130stanbul’daki sosyal ve profesyonel ltango dans\u00e7\u0131lardan olu\u015fan tango camias\u0131n\u0131n oldu\u011fu gibi T\u00fcrkiye ve yurtd\u0131\u015f\u0131ndaki kat\u0131l\u0131mc\u0131lar\u0131n da takdir etti\u011fi, sosyal dans\u00e7\u0131 m\u00fcdavimlerinin sadakatiyle b\u00fcy\u00fcyen, sevilen, enerjisi y\u00fcksek,dinamik,ferah, zarif ve dostane bir milongad\u0131r.<\/p>\n

\"\"

Fotograf : \u00c7i\u011fdem Hicran Yorgancioglu- Mehmet Cemal Bayraktar<\/p><\/div>\n

\"\"

Foto\u011fraf : G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu – – \u00c7i\u011fdem Hicran Yorgancioglu- Mehmet Cemal Bayraktar<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Kim derdi ki Adile Sultan kasr\u0131 bir g\u00fcn milonguero ve milongueralar\u0131n bulu\u015fma noktas\u0131 olacak…<\/p>\n

Peki ya YE\u015e\u0130L\u00c7AM ve HABABAM SINIFI<\/strong><\/h2>\n

Melih Kibar’\u0131n m\u00fczi\u011fi, Haylaz ve disiplinsiz bir s\u0131n\u0131f, sahte diplomalar sadece bu bir ka\u00e7 s\u00f6zc\u00fc\u011f\u00fc sarfetseniz T\u00fcrk insan\u0131nda filmin ad\u0131n\u0131 alabilirsiniz, bir yar\u0131\u015fma program\u0131nda sorsan\u0131z bu donmu\u015f suya ne ad verilir sorusunun cevab\u0131 kadar basittir. \u0130nek \u015eaban, Damat Ferit, Kel Mahmut Hoca, G\u00fcd\u00fck Necmi Badi Ekrem, Hafize Ana,\u00a0Boncuk ve niceleri.<\/p>\n

T\u00fcrk sinemas\u0131n\u0131n gelmi\u015f ge\u00e7mi\u015f en k\u00fclt\u00fcrel d\u00f6neminin marjinal T\u00fcrk komedi film serisi nedir denirse cevap bellidir. Hababam S\u0131n\u0131f\u0131. Esasen Hababam S\u0131n\u0131f\u0131, R\u0131fat Ilgaz’\u0131n Dolmu\u015f dergisinde yazmaya ba\u015flad\u0131\u011f\u0131 \u00f6yk\u00fclerden bir b\u00f6l\u00fcm\u00fcn\u00fc birle\u015ftirerek 1957 y\u0131l\u0131nda\u00a0ayn\u0131 isimle (Hababam S\u0131n\u0131f\u0131)\u00a0\u00a0 kitapla\u015ft\u0131rd\u0131\u011f\u0131 roman\u0131na dayanan \u00f6nce Zeki Alasya ve Metin Akp\u0131nar’\u0131n oyuunculuklar\u0131yla tiyatro uyarlamas\u0131 yap\u0131lan eserdir.\u00a0Ertem E\u011filmez<\/strong>‘in y\u00f6netti\u011fi 6 Edebiyat B s\u0131n\u0131f\u0131 nam\u0131 di\u011fer Hababam S\u0131n\u0131f\u0131ndaki maceralar\u0131n konu edildi\u011fi k\u00fclt komedi film serisine d\u00f6n\u00fc\u015fmesinin ilk ad\u0131mlar\u0131 ise, 1975 tarihinde at\u0131l\u0131r.<\/p>\n

\"\"

Foto\u011fraf : \u00c7i\u011fdem Hicran Yorgancioglu- – -Ergun S\u00f6zen(Hababam Boncuk)<\/p><\/div>\n

Yaramaz s\u0131n\u0131f\u0131n en \u00e7al\u0131\u015fkan \u00f6\u011frencisi Hababam Boncuk’tan yani Erg\u00fcn S\u00f6zen\u2019den bahsedecek olursak Hukuk Fak\u00fcltesindeki talebelik y\u0131llar\u0131 esnas\u0131nda oyunculu\u011fun yan\u0131s\u0131ra sinema yazarl\u0131\u011f\u0131 film ele\u015ftirmenli\u011fi senaryo \u00e7al\u0131\u015fmalar\u0131, kamera arkas\u0131ndan Boncuk karakterine ge\u00e7i\u015fi, yard\u0131mc\u0131 y\u00f6netmenlik gibi avukatl\u0131k mesle\u011fi d\u0131\u015f\u0131ndaki sinema kariyerinden s\u00f6zetmemiz gerekir. Bunlara ilaveten son on y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcredir bunlara tango kariyeri de eklenmi\u015ftir. Tango tutkunu Ergun S\u00f6zen halen tango e\u011fitmenli\u011fi yapmakta, bilgi ve birikimlerini profesyonel olarak Mecidiyek\u00f6y\u2019deki mekan\u0131nda aktarmaktad\u0131r…<\/p>\n

‘M\u0130LONGA KARDE\u015eL\u0130\u011e\u0130’ Konsepti \u00fczerinden varolan dostluklar\u0131m\u0131z\u0131 tango ile peki\u015ftirdik. T\u00fcrk Sinema tarihine imzas\u0131n\u0131 koymu\u015f\u00a0 HABABAM\u00a0 SINIFI filmlerinden tan\u0131d\u0131\u011f\u0131m\u0131z Boncuk, dostumuz ve tango e\u011fitmeni Ergun S\u00f6zen\u00a0 bu projede yan\u0131m\u0131zdayd\u0131.<\/p>\n

 <\/p>\n

 <\/p>\n

\"\"

Fotograf\u00a0\u00a0 Ergun S\u00f6zen-Bahar \u00d6zmert (\u00f6nde) Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu(solda) G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu (sa\u011fda)<\/p><\/div>\n

 <\/p>\n

\"\"

Fotograf :\u00a0 \u00d6zcan \u00c7elen-\u00a0 Irmak Koca .(solda) G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu (ortada) Deniz Yalab\u0131k-Duygu Altekin \u00a0\u00c7etin Cengiz – \u015eeyma G\u00f6k\u00e7e Cengiz (sa\u011fdan 2inci \u00e7ift) Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu (en sa\u011fda) .<\/p><\/div>\n

 <\/p>\n

\"\"

Fotograf :\u00a0 Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu (\u00f6nde solda )\u00a0\u00a0\u00a0\u00a0 \u00d6zcan \u00c7elen- \u00a0Irmak Koca .(solda) G\u00fcrhan \u00c7\u0131nar \u2013 Gizem\u00a0 Kotilo\u011flu (ortada) \u00c7etin Cengiz – \u015eeyma G\u00f6k\u00e7e Cengiz (sa\u011fda)<\/p><\/div>\n

 <\/p>\n

\"\"

Fotograf :\u00a0 Mehmet Cemal Bayraktar- \u00c7i\u011fdem Hicran Yorgancioglu (en sa\u011fda)\u00a0\u00a0 Ergun S\u00f6zen-Bahar \u00d6zmert (\u00f6nde ortada ) \u00d6zcan \u00c7elen-\u00a0 Irmak Koca .(sa\u011fda)<\/p><\/div>\n

 <\/p>\n

\"\"

Foto\u011fraf :Duygu Altekin \u2013Deniz Yalab\u0131k<\/p><\/div>\n

 <\/p>\n

 <\/p>\n

\u00c7i\u011fdem Yorganc\u0131o\u011flu\u00a0<\/strong>\u2013 Energy Contracts Expert \/ Forensic Person \/ \u2018Enerji Gazetesi\u2019 Senior Author \u2013\u00a0http:\/\/www.cigdemyorgancioglu.org\/<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Sorry, this entry is only available in Turkish. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.HABABAM SINIFI DUAYENLERLE VE DOSTLARLA \u00a0TANGODA “M\u0130LONGA KARDE\u015eL\u0130\u011e\u0130 ”\u00a0H.Cigdem YORGANCIOGLU\u2019nun (Tangoda Dostlukk,Karde\u015flik ve Bar\u0131\u015fseverlik Projesi) Dans esnas\u0131nda\u00a0 fig\u00fcrlerin ifade unsurlar\u0131 aras\u0131ndaki ili\u015fkinin d\u00f6ng\u00fcsel […]<\/p>\n","protected":false},"author":6,"featured_media":102346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[53,4],"tags":[60304,60302,60307,59169,60309,34464,60301,60300,60303,60308,43547,60306,60305],"views":923,"_links":{"self":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/102312"}],"collection":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/comments?post=102312"}],"version-history":[{"count":0,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/posts\/102312\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media\/102346"}],"wp:attachment":[{"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/media?parent=102312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/categories?post=102312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.enerjigazetesi.ist\/en\/wp-json\/wp\/v2\/tags?post=102312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}